Jaws
Behind every good 1970s movie is a bad 1970s book. Perhaps the ur-example of this saying of mine comes in Peter Benchley’s Jaws. I had heard very little good about the novel but decided I had to see for myself. Well, the shark bit.
I recognized the prose style immediately. And by immediately I mean “A few paragraphs and I recognized the wannabe 1970s pop epic style right away”. Much of the book really feels like someone who wanted to write “‘Arthur Hailey’s’ Tourist Town “, with huge long descriptions of how Long Island resort Amity works, runs, or doesn’t. These are interspersed with long, almost Proust-esque descriptions of things that straddle the line between padding and pretentiousness.
Oh yeah, there’s a shark. Spoiler alert. However, there’s surprisingly little shark. There is a lot of romantic drama and legal drama that Spielberg rightfully threw into the chum bucket. Which is what renders the book nothing but a curiosity. The movie superannuated it. Completely.
The movie is one of my all-time favorites. I haven’t read the book (I actually have it), but how much worse is it than the movie?
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A lot. A whole lot.
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