Category: Unstructured Review

Review: The Fourth Reich

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The Fourth Reich

bef4cover

After the cataclysmic misfire of Blood Ivory, the Black Eagle Force series returns to its greatest form in The Fourth Reich.

Following in the wake of such great literary works as the Bionic Commando video game and that deep, haunting movie, They Saved Hitler’s Brain, the book pits the BEF against the high-tech Reich from its base in South America. Any book that has Hitler reawaken in a clone body and immediately demand to know where his mustache is can’t be truly bad.

And the BEF is never more in its element then when it’s dogfighting against Horten flying wings. This is the kind of enemy they were made to face. Thus this book, for all its slight clunkiness, remains as big a joy as Eye Of The Storm and Sacred Mountain were.

Review: Worm

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Worm

This is a weird story to be reviewing on Fuldapocalypse, and it’s a weird context. But Worm has been so crazy on Spacebattles to the point where the mods had to make a separate forum specifically for Worm fanfics.

Worm is a story about a teenage girl in a rough and tumble city who, after being shoved into a filthy locker by bullies, develops superpowers. Much, much, much more happens after that.

Worm has a lot going for it. It’s a superhero story that keeps the basic archetypes everyone knows and loves while shedding every last piece of baggage the big two comics have dragged over decades. The powers are interesting and distinct-for instance, the closest prominent figure you can find to the main character’s power set of insect control is a boss in Metal Gear Solid 3. There aren’t lazy “Superman” or “Batman” figures made with the minimum distinction. The characters are well developed and sympathetic in a truly dark world. It sounds very good……

 

……until it’s actually read. The fundamentals are ‘iffy’ enough that it becomes a slog. Especially early on, events happen and pass very quickly, not helped by the prose. But on the other side of the coin, the story as a whole is over one and a half million words long-longer than War and Peace and Atlas Shrugged combined. And I’ve found the prose to be simply dull.

In no small part because of this, every flaw in the worldbuilding comes up in a way that it wouldn’t in a better story. The biggest issue I’ve found is trying to have its cake and eat it too. Worm goes into a huge amount of in-universe detail to try and justify its common superhero-vs-supervillain tropes. To me the amount of raw effort required has the effect of making it seem less, rather than more plausible.

But I don’t want to be too hard on Worm-I can see its appeal, and consider it “not for me” rather than outright “bad”. It just didn’t really “click” for me, and I don’t want to read a million+ words of something that didn’t do that.

 

Unstructured Review: The Valor Series

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Valor Series

One of my first “get me through a vacation” books was an omnibus containing the first two volumes of Tanya Huff’s Valor series of military sci-fi. At the time, I was impressed by how an author who was clearly new to the genre could write something well. Now, some time later, I’m even more impressed. Other authors of either fantasy or (surprisingly) contemporary action have stumbled, in my opinion, when they turned to the difficult genre of military science fiction. Huff, for the most part, did not.

Oh, it has its pitfalls. Some of the prose is a little “flowery fantasy”-esque, but that’s not necessarily a bad thing. There’s a line in one of the later books that about how drones were obsolete compared to a “good pair of eyes” because they kept getting shot down (when the alternative is losing those eyes). But those are tiny compared to the advantages.

Heroine Torin Kerr is a good enough protagonist, especially by the standards of the genre. Huff tends to keep her in smaller, fantasy adventure party sized engagements that she’s comfortable with and work very well. And the series takes out a lot of the “brown M&Ms” that plague the ‘spacesuit commando’ subgenre (that I groan at but still somehow read and like anyway). For instance, while other, worse military sci-fi books have the main character promoted ridiculously high ridiculously fast, Kerr starts as a staff sergeant and ends the series as a… gunnery sergeant.

For these reasons I recommend the Valor book. Sure they’re lightweight, but they’re lightweight in a good, solid way.

 

Unstructured Review: Blood and Tacos

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Blood and Tacos

The “Blood and Tacos” book series is a playful mockery of and love letter to the classic action-adventure series. Something as big and pulpy as the Mack Bolan-style adventure fiction genre is both easy and hard to make fun of. Easy because it has a lot of obvious “flaws”, hard because it was so prolific that it frequently fell into the “Poe’s Law” pit of being an unintentional self-parody.

For instance, I can give a personal anecdote. I was flipping through Mack Bolan store pages and finding one where he was fighting genetically modified super-soldiers. Given the series started as a somewhat grounded tale of fighting mobsters, I went “a-ha, this must be an ‘Arkansas vs. The Blimps’ moment of craziness.” When I looked back, I found multiple ones where this happened.

The four ebooks in the Blood and Tacos series have a list of short stories and parodies/homages to classic adventure fiction, tales by obscure (made-up) authors that were later “discovered by” the actual ones. There’s also spotlights of either the most ridiculous or the most creepy real adventure novels.

Some of the stories are too forced in their humor, but others manage to hit the spot perfectly. My favorite is “Battleground U.S.S.A., Texasgrad”, for not only managing to spoof adventure novels, but technothrillers and invasion novels as well.

Unstructured Review: Marines Crimson Worlds

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Marines: Crimson Worlds

So, as part of my holiday book odyssey, I devoured a huge quantity of trashy military science fiction novels. And Jay Allan’s Marines: Crimson Worlds kind of fit the bill for what I got too much of. If Starfist was “mainstream military sci-fi cliche bingo” this was “self-published military sci-fi cliche bingo”. If not worse. Marines Crimson Worlds is the sort of book I derogatorily call “spacesuit commando”, and after reading just a few of these I got a very clear guideline for how a lot of these (I must be fair and say not all) went.

Now it’s important not to overstate. This kind of book is the literary equivalent of a Nissan Versa or Mitsubishi Mirage. So comparing this to the classic writers like Heinlein or Haldeman is totally unfair. Even comparing it to (early) Tom Clancy is unfair. No, this is best compared to the Mack Bolan-spinoff style ‘contemporary’ action. And it still falls short. Part of it is combining an infodump-heavy format with a first-person view, but that’s not all of it. If I had to boil it down to two points, I’d say these have:

  • Excessive training sequences. This I can pin on Heinlein and people who didn’t get that the training was, for better or worse, the actual point of Starship Troopers. Cheap trashy military sci-fi tends to involve excessive training sequences in ways that cheap trashy contemporary thrillers don’t. This is a self-imposed higher bar to clear.
  • Bad antagonists. How can you get worse than the cackling supervillains of cheap thrillers? Answer: Popup targets with no reason for existing save to provide something for the heroes to fire at. I’d compare it to video games, except most video games have better and more-developed opponents. Marines: Crimson Worlds is particularly bad because the opponents are other humans and not even “generic aliens out to kill everything”.

Marines: Crimson Worlds has all this and even more of the tropes I’ve noticed. Some vague dystopian background, the main character being a super special champion who gets promoted ridiculously high ridiculously fast, and action that falls into the “military sci-fi pit” of neither being grounded nor over-the-top (this is a particular problem with ‘spacesuit commando’ novels where the only real gimmick is power armor that doesn’t seem to do anything) and thus appearing merely dull. The supporting characters in Marines: Crimson Worlds are, for the most part, nothing but blank names.

While I’ve spent the last five paragraphs slamming the novel, I’ll say that it at least worked as a mindless time-passer. But only that, and I’d in most cases prefer a contemporary action novel for the same purpose.

Unstructured Review: X-Wing Series

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As a kid, I inherited (and read) a lot of my family’s old Star Wars novels. The most relevant to Fuldapocalypse and most fun are the X-Wing novels by Michael A. Stackpole and the late Aaron Allston. For books that are both movie tie-ins and video game tie-ins at the same time, they’re actually really good.

Especially Allston’s. The Wraith Squadron series are a combination Dirty Dozen and fighter story (and yes, fighter pilots somehow turn into effective commando-spies. But this is Star Wars), and manage a degree of emotional height (Allston’s not afraid to kill off developed sympathetic characters) and comedy (such as someone having to fly into battle with a giant stuffed Ewok in his lap-long story) without feeling jarring at all.

Stackpole’s books are more formulaic, less daring, and he has the tendency to take game mechanics a little too literally, but they’re still solid and still better-scaled than a lot of the other Star Wars books of the time period (which have all the antagonist problems of 1990s technothrillers and then some).

Technothriller authors could do worse than read these. They’re good examples of how you can manage a decent-sized cast and medium-scope story, and they’re fun.

 

Unstructured Review: The Power

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Ok, now I’m really stretching things with Fuldapocalypse. I’m reading and reviewing something that’s social-commentary supernatural fiction. Even if it does involve a war.

The book is Naomi Alderman’s The Power.

So, the premise of the book is that women gain the ability to fire blasts of electricity (the way Alderman explains the origins of this power reminded me of old comic books, and I really wish she’d kept it more deliberately mysterious than she did). The most oppressed are the first and most determined to lash out, and they end up taking over the world and showing that power corrupts (hence the title).

The geopolitics are weird (A Saudi-focused Moldovan civil war?) and clearly bent to fit the story even by the standards of a world where women can become she-Electros. The depictions of every conventional armed force are cringeworthy in the limited research, even if forgivable given the author’s background. There are interludes that serve as combination infodumps and “ok, do you get it now? DO YOU GET IT NOW?” reinforcements of the point. Worst of all, the prose manages to be exceedingly dull and exceedingly pretentious at the exact same time, plodding on with every chapter feeling the same.

I can’t fault the book for wanting to have a message or make a statement. The basic messages of “people who are pushed down will push back if given the chance” and “power corrupts” are true and worth sharing, even if they’re not exactly the most profound or unknown. But it’s just so blatant and so clunkily executed that I was soured by it.

Which is a shame, because both of the concepts (women suddenly gaining a physical advantage and/or superpowers emerging regardless of the context) would make for good serious speculative fiction if done right.

(For a somewhat different opinion on this book, see author Kate Vane’s review here )

Unstructured Review: Armor

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Armor

To go back to military science fiction, John Steakley’s Armor is one of those cult classics. It’s exactly the type of book that Spacebattles would like, and it’s where I found out about it. So I got it, and I read it, and it’s really two books.

The first “book”, the story of Felix, is a tour de force. Unashamedly wearing its inspiration from Heinlein’s Starship Troopers on its sleeve, the Felix section starts with one of the greatest openings I’ve read, an excellent set piece of frenzied, futuristic violence. It lags only a little in the later Felix portions (in no small part because the opening is hard to top), but remains an effective tale of action.

The second “book”, the story of Jack Crow, is a far slower and far less interesting portion. While Jack Crow’s story would not be the absolute worst tale by itself and I can see why Steakley wrote it, it pales in comparison to Felix’s. At times it descended into outright annoyance, because I wanted to return to the amazing part and not the iffy part.

Still, even with the Jack Crow interlude, Armor deserves its prominent place in the history of military science fiction. It’s well worth a read and the opening is simply fantastic.

This is the last Fuldapocalypse review of 2018. Happy New Year to all readers!

Unstructured Review: Starfist

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Starfist

Ah, Starfist. I’ve wanted to do a piece on this series for a loooooong time. It is a series that deserves to be criticized, but with playful slaps instead of vicious claws. Starfist is something. That something is “military sci-fi cliche bingo”.

  • First is the technology, which is the height of “Vietnam but with a coating of laser and a gimmick or two”. It uses advanced technology neither in semi-realistic fashion (IE, drones, AI, etc…) or over-the-top fashion (giant mechs, etc…)
  • Then there’s the tone of the writing, which manages to be some of the most “MARINES!” type of prose I’ve ever encountered. I’ve read plenty of books by other veterans, and most don’t have a tone as “RAR! We’re MARINES, you know!” as this.
  • Then there’s the bias (to put it mildly) of the authors towards the MARINE FIGHTING MAN. It gets really, really, really bad.

That’s the baseline, which is enough to give this series a review. However, there’s something else that’s both a problem and an opportunity for giving individual books specific reviews. That would be the great inconsistency of the series. The prose is never truly bad by itself, and they never feel too long.

However, even in the small sample size I’ve personally read, the series has zigzagged from “Decent time-passing cheap thriller” to “laughably enjoyable thanks to the ridiculous yet self-serious action” to just plain bad. One thing that doesn’t help this is the tendency of the books to have long, barely connected subplots. Still, I can’t be mad at Starfist, for it is quite simply something, if only something that becomes so cliche it stands out.

Unstructured Review: Exultant

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If The Big One was a miss I heard of from Spacebattles, Stephen Baxter’s Exultant was a clear hit. It’s the first military science fiction I’ve found fit to review on Fuldapocalypse, and it’s a bit of an oddball, both by the standards of its author and of the genre. But it’s a good oddball.

Stephen Baxter is usually a big-scope, big picture truly speculative science fiction writer, one who talks about exotic universal processes and has no time for heroic spacemen fighting aliens who look like humans in bad costumes. Baxter’s aliens are truly, massively alien. He also uses time travel in his big “Xeelee sequence”, of which Exultant is a part. This allows a semi-kinda-a-little-plausible form of FTL travel and also spares the need to worry about strict continuity between books (if something changed, well, a time traveler did it).

Exultant is a bit of a mishmash. Part of it is an exploration of alien and extranormal societies, biologies, and universal engineering. Part of it, though, is a conventional tale. Humans have regressed over thousands of years into a society built entirely around a sort of galaxy-scaled trench warfare as they battle the almost godlike Xeelee, an utterly alien race of invisible space-time defects completely integrated with their maple-seed like ships. One fighter pilot has managed the impossible-capture a Xeelee ship intact-and now must battle his own bureaucracy as a chance to end the war finally emerges.

Baxter manages this very well. While there’s speculative infodumps galore, the military part manages to break from the typical military sci-fi “current or recent past with a coating of laser” in both directions. On one hand, there’s time machine computers and deliberately “groundhog-daying” information back to the past. On the other, the actual fighting is deliberately reminiscent of the worst of World War I. Exultant juggles all this without really managing to drop anything, and I recommend it because of this.