Category: Review

Review: Three Week Professionals

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Three Week Professionals

Though not the deepest sports book, Ted Kluck’s Three Week Professionals tells the story of the 1987 NFL replacement players with humor and the right tone. On one hand, the players had more of a justification for striking than was often the case given the lack of free agency and the sport being incredibly harsh. On the other, it was poorly handled and working-class people even at the time thought little of it.

As both a time capsule and a short breezy history, this book is good. Not deep, but it’s not supposed to be. It is fun and that’s what matters.

Review: Tiger Chair

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Tiger Chair

The recent Tiger Chair is the Max Brooks short story of the Chinese invasion of the American West Coast. Told in the form of a letter back home from a Chinese, it mentions how all the high-tech contraptions that were supposed to win were countered by know-how.

I’ll be blunt, this is not a good story. It’s told entirely through less-than-ideal exposition, and is loaded with both references that are bound to age like antimatter (mentioning some minor celebrity controversy from four years before this post that a normal person like the narrator would almost certainly not even know about) and older ones (there’s a ton of Iraq War lingo that makes me think at least part of this was originally written back in the 2000s).

But the real problem (at least for a military nerd like myself) is that Brooks’ Pentagon Reformerism is on every page. Obvious from as early as the Zombie Survival Guide (where he praised the AK and scorned the M16), this goes from “there are counters to high-tech contraptions” to “they make high-tech contraptions useless”. This is hammered home in a hamfisted manner continually.

Don’t get this.

A Thousand Words: Some Kind of Monster

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Some Kind of Monster

One of the best musical documentaries of all time, Some Kind of Monster covers Metallica in the early 2000s during the making of the St. Anger album. Given a surprising amount of access, including their arguments and therapy sessions (seriously), the filmmakers put together a tour de force. At times it’s like a ‘real’ Spinal Tap in its ridiculousness, but at other times it’s earnest.

Besides being a well made film, there’s a couple factors that help this along. The first is that it ultimately has a ‘happy’ ending: The band managed to overcome their difference, reunite, finish the album, and get a replacement bass player who has remained with them since. The second is that with hindsight it’s at just the right time. The band members are clearly past their absolute height and have grown with families and responsibilities. Yet at the same time, they aren’t in the pathetic, irrelevant “Fat Elvis” phase that every aging rocker inevitably falls into.

I think the best and most poignant part of the film comes when the album is finally done and the band members talk about the strange mixed feelings they have. As I’d just finished A Period of Cheating when I saw the movie, I understood completely that feeling.

Anyway, even if you don’t like Metallica (I’m not exactly a fan), this is a great film to watch.

Review: Vacuum Diagrams

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Vacuum Diagrams

Stephen Baxter’s Vacuum Diagrams is a series of linked stories intended to tell the Xeelee from cradle to grave. I mentioned before that like Harry Turtledove, his writing style is a lot more suited for that. And like Turtledove, this is still uneven. There’s attempts at coherent arcs, including a later one where primitive humans have to escape their stone age prison the Xeelee built for them (it makes sense in context), but those really don’t work so well.

Others are basically just “here is a thing. Here is a description of a thing. Here is a character who exists as a camera to show you the thing.” Baxter has managed a sense of wonder and splendor a lot better. Here the scope is so big that it feels tiny. Going billions of light years to a megastructure/portal is done so often that it feels like running an errand (and I’m talking about the human characters, not the aliens).

Some of this has been retconned by later books, although “retcon” isn’t really the best word when time travel exists in universe. Either way, this is not one of Baxter’s biggest hits.

Review: Xeelee Vengeance

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Xeelee: Vengeance

I wanted to like Stephen Baxter’s Xeelee: Vengeance, a tale of time travel, Clarketech, and the most alien aliens that ever aliened.

Unfortunately, this book has one problem. One central problem that is common to all extreme setting-first stories. One central problem that it does absolutely nothing to try and fix: Namely it’s mostly exposition about worldbuilding and speculative physics and whatever. So we get a ton of detail on this futuristic Earth (and Baxter’s other stories), the aliens (and Baxters other stories), every little quirk and thingy (and Baxter’s other stories) and even… Baxter’s other stories. The problem is that if you’ve read a decent amount of the other stories, none of the twists or mysteries work.

When we finally get to the showdown between protagonist Michael Poole and the time-warped Xeelee nightfighter, the book has already dragged on forever and even that drags on forever as well. It’s conceptually interesting but the execution is just terrible. Like “have a detour of padding to reference the John Carter of Mars books” terrible.

Thing is, as an eager worldbuilder myself, I can understand why Baxter did what he did. But as a reader it becomes hard to like it. You have to balance, and this was intentionally unbalanced.

Review: Starmada

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Starmada 30th Anniversary Edition

I was looking for something to scratch my spaceship wargaming itch. A set of generalist rules that you could apply to basically any setting and have a semi-reasonable approximation of things. Enter Starmada. Now its newest 30th anniversary edition, it lets you build and battle on the tabletop whatever ships you can imagine.

Naturally as a generalist set it lacks specific gimmicks, with anything offensive having to be translated into weapon qualities (ie a big area blast would be “proximity”, and a powerful kinetic cannon shell would be “crushing”) and anything defensive being translated to either “screens” (roll above X or the attack fails) or “shields” (takes a hit before anything else). You get the idea.

It requires some imagination. But if you have imagination and a willingness to abstract, well let me just say that even my initial crude playtesting sessions had me beaming bright. Want to play as a cumbersome pure brute force fleet going against an agile but brittle rapier? This lets you do all that and then some.

Review: The War of Return

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The War of Return

A very timely book, Einat Wilf and Adi Schwartz’s The War of Return is a look at the Israel-Palestinian conflict. That the two support a two-state solution and a return of Israel to pre-1967 borders makes it all the more credible. Trying to go and see why the Palestinians have been more intractable than even the other Arab states, they come to a “temporary UN program”.

I knew about the legitimate beefs the Palestinians have with Israel (yes they exist), and how the other Arab nations have used them entirely as political props and tools for decades without wanting to care for them. Yet the key in the lock they’ve explained is the UNRWA, which ended up becoming both a local government (seriously) with an international fig leaf and something that fanned the fires by using the term “refugee” in a way completely different than what everyone else, including the rest of the UN, uses.

(Short oversimplified version: The UNHCR which handles refugees literally everywhere, has a narrow definition and formal apoliticality. Once someone is settled, they aren’t a “refugee” anymore. So WRT Syria, if they’re settled they’re no longer a refugee. Be it in Turkey, Germany, the UAE, Ireland, America, or Bangladesh, that’s that. Also, whether they were pro-or-anti-Assad is irrelevant in that case. In contrast, the UNRWA has effectively made every single Palestinian family into a dynasty of “refugees”.)

It’s hard not to read this book and think that just a bit of negotiation here and a settlement there can still work (or could even before the current war). This makes it a sad but excellent and true story.

A Thousand Words: Jodorowsky’s Dune

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Jodorowsky’s Dune

In the early-mid 1970s, arthouse filmmaker Alejandro Jodorowsky ended up helming an “adaptation” of Dune. The quotes are deliberate as the movie and its tone would have been Starship Troopers/The Natural levels of intentionally different from the book. In 2013, the story of the most extravagant and absurd movie that never was was finally told in the titular documentary.

This is a great production. Everyone is clearly enjoying themselves as they talk about how the production got more and more crazy. Jodorowsky had his own son play a major role, and of course the son talks about it decades later. The art and effects brought together such figures as Jean “Moebius” Giraud, Dan O’Bannon, and H. R. Giger, the latter two of whom would make a monster movie that was a little successful. Yet the all-star cast was the craziest, featuring Orson Welles (paid in free food) as Baron Harkonnen, Salvador Dali, and Mick Jagger.

What makes the documentary shine is its soundtrack, with Kurt Stenzel’s minimalist electronic score being both a perfect accent and a great piece of music in its own right. (Although I’m biased because I like minimal electronic music, fair warning). The cinematography is also effective.

If I had to have one quibble, it’s that the documentary didn’t have the necessary devil’s advocate/reactor scram button to bring things down to earth. The movie is mentioned as being impossible, but in the sense it was too ambitious for Hollywood. In actuality, it would have been unreleasably bizzare, bound to burn money in its production, and simply strange. (There are scenes in at least some versions of Jodorowsky’s Dune that the documentary doesn’t mention, likely because they’re too weird and/or gross). If it actually got out the door, Jodorowsky’s Dune would probably just have been a bloated mess like Marlon Brando’s The Island of Dr. Moreau.

Still, this is a great documentary about a great story, even if it wouldn’t have been a great movie.

Review: Eastern Front 1945

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Eastern Front 1945

An Osprey book on the air war in WWII’s final year, Eastern Front 1945 is about the often-overlooked in the west clash in the eastern skies. It basically does every Osprey book thing right. While it’s not the most detailed, it provides an excellent overview of the somewhat different air war (ie, where the P-39 shined even as it flopped in other theaters).

One thing I particularly liked was how the book accurately showed the air campaign’s influence on postwar Soviet/Russian doctrine. Instead of a “big blue blanket” smothering every enemy in its tracks, it was focused on targeted air superiority and supporting maneuver formations. Which led to February 1945 when the Luftwaffe actually regained air superiority for a time. ( In short, they pulled more or less every propeller fighter away from the fruitless bomber interceptions and were were able to operate from intact developed airbases while the Soviets were worn and had their field strips wrecked by bad weather)

It’s a good look at both Soviet air doctrine being successful and at the eastern air war.

Review: Stuck On The Drawing Board

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Stuck On The Drawing Board: Unbuilt British Commercial Aircraft Since 1945

Passenger planes made in Britain followed an almost exactly stereotypical British pattern: At first bold and trend-setting, then fell behind due to both luck and skill, finally becoming just an international cog. The could have beens and never weres of this are shown in Richard Payne’s Stuck on the Drawing Board.

This is a fun, if niche, book for aviation enthusiasts. The big problem from the nature of the planes it describes. For passenger planes that are all essentially just tubes with different capacities, VTOLs and odd shapes are the absolute most different you’re going to get.

But this isn’t the book’s fault, and you’re left with a fun look at what could have happened before the 707 and its successors crushed any hope of a full-scale British aviation industry.