Review: Battledrills for Chinese Mobile Warfare

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Battledrills for Chinese Mobile Warfare

Against my better judgement, I got another H. John Poole book. The title made me naively think “oh, this could be a set of practical drills approached from a different perspective.” So like any H. John Poole book, this is about 5% reasonable well-thought out arguments (in this case: Formations should be simpler and grenade skill should be focused and emphasized) mixed with 95% incoherent rambling about how artillery is useless.

The “logic” is a classic all or nothing where if the artillery fails to destroy everything in its path and close combat is still necessary, therefore artillery is useless and only suitable for clunky western armies and not cunning subtle ‘eastern’ ones. He even argues that artillery and aid of artillery has not been useful in the contemporary war in Ukraine, which is… something. But not something good.

By this point Poole has lost most of what teaching value his books had, and I recommend avoiding them.

A Thousand Words: Wario Land 3

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Wario Land 3

Wario Land 4 is one of my favorite games of all time. Wario Land 3, coming out on the preceding Game Boy Color not long before, is not. This is one of those games that you could tell the developers really just needed more power and focus and it would click. With the GBA and a clearer focus, it worked. Here it didn’t.

This is less linear than Wario Land 4 and has the gimmick in that Wario can’t actually get killed (but can get knocked back and cost the player time that way). The problem with losing time instead of losing health is obvious, especially since WL4 didn’t have any absolute game overs. In fact, this game can be described as slow, slowly moving and slowly backtracking in the semi-open world. A lot of this is probably due to the 8 bit GBC’s limitations, but that only makes it dated.

Thankfully, the graphics are very good for the hardware limitations and do not feel dated, and the chiptune soundtrack is beautifully quirky and excellent. The game just doesn’t really gel and has the “misfortune” of being followed up by a classic.

Review: The Gardner Heist

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The Gardner Heist

Ulrich Boser’s The Gardner Heist is about the largest unsolved robbery by price ever. In 1990, two thieves went into the Isabella Stewart Gardner museum in Boston and then left an array of paintings worth (albeit by the less than exact standards of painting appraisal) $500,000,000. And as far as concrete undisputed knowledge goes, that’s it. The case has never been solved, zero of the paintings have been found, and not one court-worthy piece of evidence has been made.

I think you can see the problem with someone making a book about this. It’s like DB Cooper. All we know is that a guy jumped out of a plane. From there it’s nothing but speculation and rumor. Boser tries (the sections on how hard it is to track and recover stolen art are excellent), but there’s only so much one can do with basically nothing. A lot of the book is pure padding, which is understandable but not fun to read.

I can’t hold any of Boser’s choices against him. It’s just not a very concrete topic for obvious reasons.

A Thousand Words: Pearl Harbor

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Pearl Harbor

I couldn’t let a Pearl Harbor anniversary go by without reviewing the infamous (pun intended) movie by Michael Bay. Now this is frequently on the list of worst movies ever. However, I liken it to Jefferson Starship’s We Built This City, something that yes, isn’t really good, but is criticized and slammed so much that you kind of have to defend it, since you can enjoy it as a guilty pleasure juuuuuust a little bit. I mean, are you really expecting historical accuracy from Michael Bay?

I didn’t think so. But one fair bit of criticism is Bay attempting his hand at a love story, which is kind of like a romantic comedy director trying to make an action movie. Said love story takes over far more of the plot than it needs, and is probably the biggest criticism I can give other than “Michael Bay.”

So yes, World War II as told by Michael Bay. I can think of a lot better. But I can also think of a whole lot worse.

Review: Kill Kill

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Kill Kill: Battle of Fallujah

One of the recent very pleasant surprises for me was Chance Nix‘s Kill Kill, a historical cheap thriller (yes it makes sense in context) set in the titular battle of Fallujah. Rest assured that this is a book rather different in tone from the last such novel I reviewed, Dodgebomb. However, I feel comfortable saying that a veteran of the actual war with a purple heart is welcome to write however he pleases.

This has the tone of a cheap thriller, but there’s just enough “aha, a veteran would know this” detail (especially the dialogue) to make it feel grounded, and more importantly it comes across as reaching the tone it aimed for. While the character archetypes are the kind that were old when Homer was young, they also fit their role and I can’t complain about them.

Also realistically and somewhat daringly for a cheap thriller, Nix is not afraid to kill off his protagonists. In fact, he actually kills too many, with the number of character deaths in that one segmented viewer totaling around 15-25% of the actual American KIA in the historical battle. Which is… uh, a plausibility critique I never thought I’d be making about a cheap thriller.

Anyway, while this book is rough around the edges, it’s a good read and I eagerly recommend it.

The Writing Lull

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One of my least favorite parts of creative work is the writing lull after something gets finished. And now with The Fuldapocalypse World War III book out, I’m feeling it again. Oh, work on the next All Union. No, work on that other project you wanted. No, work on…

I’ve learned after years of creative writing that it’s very hard to force creativity. I just have to wait and see what inspiration comes to me next. Hopefully it’ll be good and workable.

A Thousand Words: The Woodstock Movie

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Woodstock

The Woodstock music festival is probably the most overrated cultural event ever. A ramshackle mess that could have very easily turned into a 1960s Fyre Festival or something much worse, all it gave was a huge mess in an upstate farm, music, and… a documentary film.

A massive reason-perhaps the biggest reason-why the concert is so well remembered is Michael Wadleigh’s masterpiece. Easily the best documentary/concert film I’ve seen, it cuts from the performances (of varying quality in every sense of the word) to interviews with dazed hippies, musicians, and the festival organizers, to things like the rainstorm and Wavy Gravy’s pronouncements, all done with amazing cinematic skill.

I could point out that despite being intended to be sympathetic, the interview subjects and even the whole festival doesn’t exactly look the best. But that’s the beauty of it, with the film being detailed and close (again in multiple senses) enough to give the viewer enough evidence to a make a judgement call. Its main goal was to chronicle, and chronicle it did.

The Fuldapocalypse World War III Book is Out!

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A collection of essays by me that might have been inspired by blog posts I wanted to elaborate on, inspired by posts I never wrote, and just random inspirations, is now out in ebook and soon in paperback form.

It’s short and is kind of an unconventional stream of conciousness writing exercise, fair warning. But it does explain (partially) why I had fewer blog posts lately. Anyway, it was fun to write and I hope it’s fun to read.

Review: Quantifying Counterfactual Military History

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Readers of Fuldapocalypse should not be surprised to learn that when I saw a book called “Quantifying Counterfactual Military History“, I instantly bought and read it. The premise is simple: The authors use the Approximate Bayesian Computation method to get a large sample size in their various simulations-much, much larger than conventional wargames.

Starting off with one of the easiest and most popular ones, Jutland, that chapter made me go “a-ha! They got it.” My favorite quote is “but unlike in a wargame, our goal is to simply understand what is plausible and what is not.” This “War of the Spreadsheets” has its roles provided one knows its limitations, which the authors do. Then comes the Battle of Britain (where the goal is temporary German air superiority, along with a controversial conclusion. There’s Vietnam where the authors actually remember the large northern conventional forces that were always there. It concludes with Cold War game theory.

There’s some technical topics that are beyond me, but this is overall an excellent book whose authors know their own limitations. As someone who loves these kinds of simulations, I was delighted to read this.

The Amphibious Hook

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The Amphibious Hook is a type of theoretical maneuver that allows for a naval support of a land offensive. It is either an operational or tactical offensive, with the Heavy OPFOR Operational noting that such ones would never be done outside of extensive air support. The document also argues that it generally would take the form of an amphibious regiment/brigade in the first wave and then normal mechanized troops unloading on the shore after the beach was cleared to continue the push. But of course, depending on shipping, it could easily be more.

(Brief note: Strategic amphibious operations are D-Day and even Inchon. Tactical ones are things like doing a boat raid. Operational ones are, fitting that level, more vague and mean things like ‘land a big enough force to divert their reserves so that the main land push can run more freely’).

The section on amphibious landings (Heavy OPFOR Operational sec. 2-13 to 2-15) also speaks of naval units being an easy way to reinforce airborne ones, assuming the geography works. There’s also, as happened in the Gulf War, the threat of an amphibious hook.

Ironically, one of the best ways for a defender to counter an amphibious hook is to ignore it. Or if not ignore it, recognize that it’s going to have trouble moving inland and can be contained with second-line forces and not divert too much to stop it, leaving the opponent with a small toehold always at risk of being cut off.