For pretty much my entire Stable Diffusion use, I’ve been using the A1111 web interface. Now Forge, a newer and faster/more efficient version of it, is out. I’ve installed it. The problem is moving over, both literally (ie all my extensions/models) and metaphorically.
Well, you have to start somewhere…
William Kinsolving’s 1983 novel Raven is an aviation pop epic about one Buck Faulkner and his family. Faulkner starts his aviation company in the 1930s, which starts with a 21 seat airliner and moves up. Like many other traditional pop epics of the time, we get a mixture of semi-spicy personal drama and big picture discussion about airline orders.
This is no technothriller and Kinsolving is clearly just modeling the planes on famous existing ones. However, (and this sounds like faint praise), he at least knows the basics. This is no Ian Slater. Some of the names may be a little goofy, but that’s it.
As for the novel itself, it’s a good 51% book. It’s not the absolute greatest, but as a brief time passer, it works. Plus it manages to avoid at least some of the pitfalls of authors writing about technology, so it has that in its favor.
Every so often I get a textbook that is not really the best to conventionally review at all, much less amongst cheap thrillers. Nuclear Safeguards, Security, and Nonproliferation is one of those books. I feel a little guilty reviewing it because the target audience is scientists and the like who know the math, physics, and engineering subject matter a loooooooooooooooooooooot more than an armchair enthusiast like myself. So yeah, a lot of this goes over my head. And that’s fine.
If the “Type 1 Academese” was understandable and inevitable, the “Type 2” is a legit point of criticism. Despite the fact that anyone who’s read a single piece on the modern history of South Africa would instantly grasp why the post-apartheid government gave up the nuclear weapons, the book explains this in a long and pretentious way. Where I think this is more than a stylistic issue is how it wouldn’t be easy to get its points across to a non-scientist, whereas other similarly dense works on the same topic are still more understandable.
I love Warhammer 40k and have some connection to mysteries, so getting Chris Wraight’s Warhammer Crime novel Bloodlines was obvious. Then I started reading it and felt disappointed. Now as a mystery novel, it’s 51% all right. If this was a contemporary or original sci-fi mystery, I wouldn’t think much more of it.
The problem is that it doesn’t take advantage of its setting. Now I’m not expecting or demanding an Ultramarine and an Ork on every corner, but this just never felt like a Warhammer 40k novel. It felt like a basic post-Blade Runner dark sci-fi city mystery only with more skulls and 40k terminology. Which didn’t make the book bad but did feel it wasted its potential.
Airplane manufacturing is a very tough process. Barring some strange point of divergence, it’s hard to avoid large airplane builders sorting out into a few giants. Yet airlines are another story altogether. It’s interesting how in the “Goldilocks businesses”, airplane builders and airlines fall on opposite disadvantageous ends.
For the manufacturers, it’s the “too many barriers to entry, thus you end up with a oligopoly” issue. For the airlines, where existing planes and even crews are just a few lease deals away, it’s the “too few barriers to entry, which leads to too many participants chasing too small a market”. In many cases both of these are unavoidable. (Novels, sadly, were the latter even before the rise of internet self-publishing).
What this means is that it’s incredibly easy to change the fates of the airlines, and even easier with a point of divergence after the large and successful deregulation of the late 1970s.
The name High Disaster is fitting for the 22nd (!) Penetrator novel. By now co-author Chet Cunningham had clearly gotten sick of the series. That was the first problem, though someone as prolific as him could have just powered through a contract potboiler. The second and worse problem is that the ‘kill the mobster’ plot had played out and the ‘kill the terrorist’ plot had not yet become big.
So most men’s adventure novels in that period simply ended, with the oil crises not exactly helping things either. Yet the Penetrator kept going like a large caliber tank shell penetrating through a BMD-1. You ended up with things like High Disaster, where the threat/villain is (without spoiling anything) not exactly overwhelming, and the big gimmick is…. wildfires. In the American West. Which is kind of like rain and floods in Southeast Asia.
To appreciate the highs of a genre, you need to see the lows. And that is the only reason I’d recommend this book.
The Hitman series of stealth video games involves super-clone assassin Agent 47 hitting various men (and women). The games are centered around disguises. 47 can be a master of disguise despite being a bald near-albino with a barcode tattoo on his head who’s tall enough to be a viable basketball player. It’s just video game logic. Anyway, Hitman Absolution is regarded as one of the worst in the series, albeit in a way that spawned the absolute best let’s play series I’ve ever watched:
There’s far more focus on story in this game, which would be interesting if it was good, but it isn’t. So let me explain just one series of events:
All this is punctuated by some of the worst cinematography ever, long after most games had figured out the basics. This gets to the point where one of the lets players reasonably called a cutscene in it the worst ever. What makes this strange is that publisher Square Enix basically invented the use of cinema in games. Or at least perfected it.
As for the actual game, it is a strange combination of cargo culted stealth movement through levels, occasional platforming, and a simplified, often made too easy version of the Hitman formula. It’s not unplayable or broken, but if you want Hitman, either the earlier Blood Money or the later remakes are vastly superior.
You might have notice me slowing down. This is because I’m in the final stretch of A Period of Cheating and want to devote more writing energy to working on that. So March may be sparse in terms of content.
ATP 7-100.1, Russian Tactics, the newest OPFOR document, is now out.
Yes, it is of the nation that already had the most analysis and published doctrine there. Yes, the document includes a disclaimer that basically goes “we know you’re asking this question”:
This ATP is not meant to represent how the Russians are currently fighting in Ukraine. Many insights and observations can be collected daily to either affirm or refute Russian doctrinal strategies and tactics, but it’s far too early to acknowledge any definitive changes in doctrine. The Military District and unit diagrams in this ATP may be affected based on early observations of the conflict in Ukraine. With so many Russian units now in Ukraine, it will take some time to determine a new laydown of forces if that becomes necessary. Furthermore, with the losses Russia has suffered, it is too early to assess the structure and equipping of any Russian unit for the next 5 to 10 years. We are still studying the conflict in Ukraine and continuing to revise our assessments. Therefore, the ATP is not the correct medium for publication of our initial observations nor potential future changes for the Russian Army. Instead, this type of information will be available at https://oe.tradoc.army.mil/how-russia-fights
Still a great and highly anticipated (by me at least) resource.
Lawyer Richard Morris’ recent Death by Pitbull takes a look into something involved with dogfighting-and not the kind that involves airplanes. Namely, it looks at the Pit Bull Terrier, the monstrous beasts that have terrorized human and other animal alike since the 1800s. The tone is rather sensationalist and its politics are frequently right wing, but it still cites its sources and makes a good argument.
Morris repeatedly hammers the ‘it’s how you raised them’ claim, one as faulty as it is a part of the dangerous Harley Quinn/serial killer lover “Tame the Beast” fantasy. To his credit he also includes a model law and regulation for banning dangerous dogs (since pit bull fans are notorious for mysteriously switching claimed breeds to dodge bans).
I think the book could have used a bit more context with the dogfighting culture to explain why pit bulls ended up, as well as dispelling the misunderstandings people used to tamer dogs have to explain their psychology (you can’t compare two “normal” dogs fighting emotionally over a concrete thing with a breed designed to fight naturally, and instead of lashing them along, pit bull kennels have to work hard to have their dogs not fight until the time comes). But this is a small quibble.
Pit bulls do not belong as pets.
Fuldapocalypse Fiction 