Reactor Grade Plutonium

Reactor-grade (as opposed to weapons-grade) plutonium has been hotly (no pun intended) argued over as to its suitability for nuclear warheads. From the open-source claims I’ve been reading, there are arguments that I’m not qualified to address the technical side of, but a couple of common themes have emerged:

  • Every extant nuclear power has chosen to go ahead with the additional expense of weapons-grade plutonium rather than trying to make something out of reactor-grade material. There have been tests and rumors, but that’s it.
  • Reactor-grade plutonium is hotter, more dangerous when exposed [making design and handling more difficult], requires more material for less explosive power, and is far more likely to fizzle (detonate instantly with a much lower yield).
  • However, even the low yield (less than a kiloton) is still a radioactive Beirut explosion, raising fears of nuclear terrorism with stolen reactor-grade materials.
  • Improved design can remove many of the shortcomings of reactor-grade plutonium.
  • The increased yield uncertainty makes it less attractive for tactical operations.

Still, the technically “easiest” way just to make a nuclear explosion with national-level resources would be to use civilian reactor-grade plutonium to put together an atomic charge. The list of countries that could do such a thing is much longer than the conventional nuclear states. Granted, they’d be facing a large backlash to make an explosive charge that’s 1940s-level at best and has little practical military utility, but it’s what’s the most possible in spherical cow terms.

Review: Zhirinovsky’s Russian Empire

Zhirinovsky’s Russian Empire

Infamous nationalist politician Vladimir Zhirinovsky recently passed away. Fans of online alternate history know him as the main character of a timeline-turned-ebook called Zhirinovsky’s Russian Empire. In it, Yeltsin is killed during the August Coup and Zhirinovsky ends up in control of the USSR-turned-“Union of Independent States”, with the 1990s going from mostly peaceful to mostly not peaceful.

What this does right is actually using the “snippets of fake newspapers” formats very well. There are elements of drama that are well done, and the whole thing seems like a way to tell a story rather than a way to avoid writing a narrative. However, the biggest issue is the tone, which can go from too serious to too goofy and back at the drop of a hat.

Furthermore, while it’s not intended to be the most “plausible” alternate history, there were more than a few times when my suspension of disbelief didn’t hold up. Zhirinovsky is portrayed as a wild man who barely wins even with dirty tricks, yet he somehow has the political pull to wrestle something as powerful as the Russian arms industry into a 180 degree shift in policy (a so-called “billion Kalashnikovs and one nuke approach). And of course, him getting to power is ultra-contrived to begin with.

But by the standards of online alternate history, this is a good story. It has a proper beginning and end, and is better paced.

Review: Revisiting South Africa’s Nuclear Program

Revisiting South Africa’s Nuclear Program

Apartheid South Africa built a handful of nuclear bombs before the ANC government dismantled them. As a result of that revelation and transparency, it provided an interesting look into a a field that is understandably quite opaque otherwise. David Albright and Andrea Stricker’s Revisiting South Africa’s Nuclear Program show it in depth.

Altough this is a technical nonfiction book, Albright and Stricker nonetheless write well, and it’s quite accessible to non-nuclear physicists. The creation, developmental struggles, warhead production, and removal of South Africa’s nuclear weapons is all covered, and there are several interestingly unique factors about it that the book provides.

The first is a technical tidbit. South Africa went with a conceptually simpler gun-type device in the style of Little Boy. However, their device was small enough to fit on a Raptor glide bomb carried by a Blackburn Buccaneer, and there were (preliminary) plans to boost it to around a hundred kilotons using a special pellet. As most powers have used implosion devices, South Africa’s experience shows how far the basic gun-type can be pushed.

The second is that, unlike other nuclear programs, South Africa’s was comparably well run and efficient. The pragmatic choice of a gun-type was one of the good decisions that it made. And it still took several years in peacetime while running into bottlenecks-most notably the enriching of uranium.

For those interested in the relevant subjects, this book is thus a good read.

A Thousand Words: Mighty No. 9

Mighty No. 9

Judged on its own without any other context, Mighty No. 9 would resemble a mediocre Mega Man-style game. There have been dozens of those, including more than a few in the official series itself. To study it there would not be the most interesting. About the only things I can say for the game itself are that it copied the cheapest difficulty elements (why?) and in everything from plot to aesthetics simply tried to be “as close to classic Mega Man as possible without lawsuits”.

But what is interesting is the ridiculous amount of hype that came around its crowdfunding. Occuring in the “irrational exuberance” phase of Kickstarter and spearheaded by ex-Mega Man head Keiji Inafune, this was one of those “the gaming king came down to make a dream” experiences. This prompted emotion that successful MM-esques like Azure Striker Gunvolt (made conventionally by a firm that had experience on the official games) and 20XX (crowdfunded yet made by an unknown) couldn’t bring.

The result was a ton of stretch goals “met”, feature creep, the project getting out of hand, the mood turning from hopeful to laughable, and then the game itself sinking like a stone when it was finally released. Whether it could have been better or if the expectations were just too great is an open question. What is not is that this was one of the biggest crowdfunding embarrassments.

The Super-Mansion

The conclusion of The Sure Bet King took place at a Los Angeles super-mansion. My current WIP is also focused around a super-mansion. The super-mansion is one of those setting places that I just love. They’re (impractically) big, they can have a lot of stuff, and they can have very different themes.

The closest thing to an official definition of a “mansion” is “a luxury home at least 5,000 square feet in size”. Super-mansions are even more nebulous, with their only real distinguishing feature being their bulk. My own definition is “it’s a super-mansion if any one room in it is bigger than an entire normal mansion”.

Review: Onslaught

The Fae Wars: Onslaught

J. F. Holmes’ The Fae Wars: Onslaught is the story of magical evil elves invading the contemporary world with magic that can overcome technology. It’s just a cheap thriller, but it’s a fun cheap thriller. The action is constant and told from both sides, with both experiencing difficulties.

While the military stuff is frequently both contrived (foreign arms dealers getting a giant super-arsenal into New York City), and inaccurate (the human aircraft engage at far closer distances than they realistically would, for one), this isn’t the kind of book where one would quibble about such things. It’s a fun magitech war novel that should be treated as a fun magitech war novel.

Review: Coup D’Etat

Coup D’Etat

Chris Nuttall’s Coup D’Etat is a book I knew I had to get when I saw the premise. A princess of a Middle Eastern country wrangles western mercenaries to overthrow it in a modern Dogs of War (explicitly cited as an influence, and obvious enough even without the citation)? Sounds good enough. The possibility of a thriller that can be more than just a small group of commandos? You betcha!

The premise is thus very good. The problem is that the execution is not. First, the main character comes across as an uncomfortable Mary Sue, and his opinions along with a more important portrayal cross the line from “hardened realist” to “creep”. But the bigger problem is the setting.

Taking place in a petrostate is a good, and arguably great setting. Having a fictional one so you don’t need to step on real toes and can make it to your needs is another good literary tool this book uses. The problem is that, well…

Say you had a fictional US state in the Old South for your story, and it was portrayed as being composed entirely of corrupt redneck bosses, uneducated and bigoted rural poor, Klansmen, and oppressed African-American sharecroppers who are used entirely as a mentioned prop to show how bad things are without actually being elaborated on. Replace that with the contemporary Middle Eastern equivalents and you have “Kabat”, the oil kingdom the novel takes place in. Compounding the worst true elements of an environment for the sake of fiction isn’t necessarily bad, but here it is. It takes away the stakes by making it look like an irredeemable and worse, dull wasteland. Pretty much any character who isn’t a power broker, trigger puller, or supervillain is used as nothing but a pop-up attraction in the freak show obstacle course.

Granted, you could reasonably argue that I’m overthinking the backdrop for an action thriller. Except this isn’t a very good action thriller. Not just because the prose is only decent at best, but because so much is devoted to the setup and exploring this dubious setting. So this book fails at being a suspense thriller and it fails at being an action thriller. It aims very high and falls very, very short.

A Thousand Words: The Death of Stalin

The Death of Stalin

For May Day, I figured I should do something Soviet. And what more “appropriate” than this movie? Armando Iannucci’s The Death of Stalin is a blisteringly dark satire which uses the events surrounding the titular event as the basis for twisted humor. It’s not exactly the most accurate historically, but it has many good actors and good scenes.

Steve Buscemi steals the show as eventual victor Khrushchev. He slides into the role with the perfect mix of earnestness, sleaze, and silliness. Likewise, even though his entire character is ahistorical (at this point IRL, Zhukov was kicked upstairs to command a district in the middle of nowhere) Jason Isaacs does a similarly excellent job as the head general. The casting isn’t perfect, though. Jeffrey Tambor’s one-note portrayal of spineless wimp Malenkov is grating and mostly not funny.

Still, this is a funny, entertaining and now relevant movie.

The Poker Boom

As someone very young during the online poker boom of the mid-2000s, I knew it existed but wasn’t anywhere near aware of how insane it got. Looking back and doing research, I can say that for about three years, robbery became legal, as long as you were a good poker player. The excesses of it were sometimes just big, like how pros “multi-table” at several sessions at once, playing thousands upon thousands of hands a day, all while staring at the computer for many hours.

But the most interesting part is the zero-sum nature of poker and how that doomed the bubble to pop as much as anything the government did (after all, laws and court cases didn’t stop offshore sports betting at all). The boom featured sharp sharks dropping the equivalent of nuclear depth charges on poor square fish who’d seen Rounders and Chris Moneymaker living up to his namesake and thought “why not me?”

The problem came when liquidity dried up. Without a stream of new fish to get skewered, many former pros learned that they became the lower ones on the food chain. Many moved on to the similarly zero-sum daily fantasy sports, which popped just in time for sports betting to get legalized and crypto speculation to take off. And if the people complaining about restrictions because they tried to arbitrage off of William Hill got their wish and forced the sportsbooks to sharpen, the same feeding frenzy/market bubble that benefited only a few ultra-sharps would happen. In fact, I’m half-convinced it’s happening already, sportsbook restrictions or not.

The reason being that neither sports betting nor poker are actually that profitable for the house, especially after promotions, but that’s another story for another time. As is the story of poker-the book takes place roughly at the same time as the historical poker boom and one of my Sure Bet King ideas envisioned main character Eddie Ross being a moderately skilled poker who crushed weaker ones during the boom (with obvious effects on his ego), but a combination of the path the novel took and me thinking I didn’t know enough about poker nixed it.

While I don’t regret it, I think the right terms to use is that there was an opportunity that I did not follow. After all, the climax of The Sure Bet King is of a-based-on-a-true-story boxing event where sharps took advantage of squares in massive force. The poker boom was like that, only for years instead of one day.