The Cosmic Angels

When it comes to Warhammer 40k, I do not have the highest opinion of or interest in the setting’s mascots. I’ve been an Imperial Guard fanatic (no not that kind) since day one of my interest in the setting, and this also applies to their spacefaring counterparts in their humongous flying cathedrals. However, I have made several fan Space Marine chapters (as every 40k fan is obligated to do), and the one with the most detail is the Cosmic Angels. With the aid of Stable Diffusion and some online “marine coloring tools” I made this infographic on them.

(And yes, it is definitely, totally a coincidence that my interest in Starmada and constant setting crossover battles coincides with me elevating an extreme fleet based chapter. Totally. A. Coincidence.)

Forge-ing ahead

For pretty much my entire Stable Diffusion use, I’ve been using the A1111 web interface. Now Forge, a newer and faster/more efficient version of it, is out. I’ve installed it. The problem is moving over, both literally (ie all my extensions/models) and metaphorically.

Well, you have to start somewhere…

Eurasia Aviation

Eurasia Aviation is a fictional company of mine that I can plop into basically any setting I want that’s appropriate.

Logo created in Stable Diffusion XL
Eurasia aircraft factory, also created in Stable Diffusion. Don’t ask exactly what the cone-thing is for, I just thought it’d look cool

Eurasia is an unashamed way for me to put any never-was alternate history aircraft (or even aircraft concept) into production. Since it’s a conglomerate with a presence on every continent, it can take designs for every one, and so on. Not the most plausible but I’m having fun with it.

Asialink

Here is a logo for Asialink, a fictional airline I’ve made headquartered in Singapore and focused on linking all of one continent (guess which ).

The yin-yang (Asia) and circular chain (link) were made seperately in Stable Diffusion XL and edited together externally. The text was manually added and uses the Shojumaru font.

Asialink flight attendant uniforms are the same combination of teal and/or light green with red neckwear.

AI Generations

This AI-made fan comic of mine I felt I’d post. The woman on the left is getaway driver queen Taliana Martinez of GTA V. The one on the right is “Lucia” (name in quotes as early development), the revealed heroine of GTA VI. The character models were made using various LORAs and controlnets to make the right poses. The speech bubbles were added manually.

The SI AI Scandal

Many people don’t know that sports reporting was one of the first big ways that “modern AI” as we know it came into public view. Basically, if you had a box score for a game where you couldn’t or decided it wasn’t worth it to send an actual reporter, an AI could (and still can) extrapolate a game story based on it. Sure, you don’t get the “yes they sportsed but we sportsed harder” quotes from the participants, but is that really a big deal?

Of course, that assumes one admits to using it. In the case of once-great Sports Illustrated magazine, they tried to sneak AI in. With presumably machine-generated (and if not machine-assisted) articles and “reporters” who were the sportswriter equivalent of Aimi Eguchi , the institution that once gave us Rick Riley’s reports was reduced to the algorithm gaming self-publisher.

Now I have no problems with AI in creative endeavors, but if you want to make something completely with it, it should be labeled as such. (I’ll leave other legal concerns aside for now). I can think of ways to make an openly fake (for lack of a better word) recapper. But any technology can be used for bottom feeding, and this is no exception.

The GEC Dome

I’ve had a dream in my mind for how I wanted the GEC Dome, a fictional football stadium, to look. It was to have a sort of pseudo-castle exterior. While attempts with prompts alone to make it in Stable Diffusion failed, making a reference image and careful controlnetting succeeded in making several far closer concepts.