Tag: Review

A Thousand Words: Mega Man

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Mega Man

Mega Man and Street Fighter are two of Capcom’s legendary franchises. Perhaps fittingly, they followed the same pattern: Breaking out with a rightfully praised and successful second installment after a less-than-ideal first one. And in both cases, the way they were clunky were the same: The very basics of what would make them so great were there, but they were incredibly rough around the edges.

Mega Man 1 thus has everything the later games have: Platforming, shooting, and defeating bosses to use their weapons. And in 1987, there wasn’t that much of a comparison. The problem is the second game two years later utterly obliterated it in terms of usability, difficulty, ease of play-everything, basically.

So in Mega Man 1, you have only six Robot Masters compared to the eight of pretty much every later game. But the game is overloaded with the kind of “cheap difficulty” even by the standards of the time. Spikes explain this very good. In later Mega Man games, falling into spikes kills you instantly-but if you were knocked onto them by an enemy and still had your brief recovery frames, then you had a small chance to escape if you jumped right away. Not so here-if you come into contact with spikes, goodbye.

There’s also no real good starting boss/level, and in true 1980s game fashion, the game is unwinnable unless you get a “secret” item in one stage. You could do worse for other vintage platformers, but you could also do a lot better. Like, say, one of the nine direct sequels.

Review: In The Presence of Mine Enemies

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In The Presence of Mine Enemies

Harry Turtledove’s In The Presence of Mine Enemies is an expansion of a previous short story that tells the tale of a secret Jew in an Axis victory world. There’s turmoil in the Reich, and Turtledove’s classic “obvious historical parallel” is to the late USSR with obvious “Gorbachev” and “Yeltsin” figures. This is a very frustrating novel, and it shows both Turtledove’s strengths and weaknesses at full blast.

The obvious strength comes from its set pieces. The story it was based on was widely acclaimed, and in particular the “August Coup” is very well done. It also has an interesting advantage in that it’s one of the Axis victory novels that is the least unintentionally glorifying of them (as described in this post). The only wunderwaffe are the ICBMs the Germans used off-camera to blast the Americans into submission after World War II, and it’s hard to imagine a less romantic setting than the last days of the USSR. Finally it has a sinister tone and unromantic in general. The reformists are still racist (ie we want elections, but only involving “proper Aryans”), and the “August Coup” is foiled not by any fluffy ideals, but by exposing the Jewish heritage of one of the conspirators.

That works. The rest of the novel does not.

It’s long, slow, and padded out with stuff like games of bridge repeated constantly. Much of the book is given over to a lame love triangle drama. While the parallelism is understandable, it can get a little too blatant at times. The good parts of this book are great, but the bad parts dramatically outnumber them. It’s an interesting discussion piece, but I wouldn’t really recommend it for pleasure reading.

Review: An Untaken Road

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An Untaken Road

Steven Pomeroy’s An Untaken Road is officially a book explaining why mobile ICBMs never caught on with the US military the way they did elsewhere. It’s that, but it’s also a history of the many, many, many different proposals for missile basing of all sorts. That alone makes it very good, especially since there’s a huge synergy with Nuclear War Simulator (after all, you can easily build and uh, “test-fire” a lot of the platforms described here).

At times the central argument can get a little pretentious and a little too focused on abstract themes. But as a pure source of information, this is excellent. There were a lot of nuclear missile base proposals right out of cheap thrillers, and this book is a great resource on them. It’s also a serious and informative look at nuclear war strategy. So I highly recommend it.

Review: Star Wars vs. Warhammer 40k Season 2

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Star Wars vs. Warhammer 40k, Season 2

My voracious consumption of the Star Wars vs. Warhammer 40k fan audio drama continues apace. Having finished the self-declared second season, I feel like I should give my thoughts on it. The planet Axum is the site of the first gargantuan Imperium-Republic slugfest, and no stone is left unturned.

The pace does slow as seemingly everyone from top to bottom gets a viewpoint treatment. Clones, guardsmen, marines, admirals, Jedi, you name it. I will sadly say that a few times it does feel like the story focuses too much on individual trees and not enough on the forest, and that I’d like to see more post-Axum installments where more time and events pass in one episode.

However, this also has the virtues of such an approach, and it shows as well. A lot of the set pieces are excellent to the point where it feels like Larry Bond decided to take up writing crossover fanfiction. The culture clash as the tamer Star Wars universe is exposed to the gonzo craziness of 40k is still there and still well done. And it has one of my personal favorite plausible moments: When Republic clone troopers see Guard Ogryns, look at the huge humanoids, and think they’re Astartes/Space Marines. It’s very much a “the Panzer IV looks like a Tiger” situation, and I smiled.

For all my minor critiques, I’m majorly enjoying this drama.

Review: Dead In Their Tracks

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Dead In Their Tracks

After the arduous effort of writing a book, you sometimes need to relax with a nice simple 51% novel. And JT Sawyer’s Dead In Their Tracks fit the bill nicely. The plot is the usual cheap thriller fare. The action is nothing to write home about, though I will say the book is very lean and moves very quickly and nicely.

Still, it’s like potato chips. But sometimes potato chips are what you need. I had fun and that’s what matters. Not every book can be deep, and not every book should be.

A Thousand Words: Iron Eagle II

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Iron Eagle II

The budding Iron Eagle franchise was walloped by two things. The first was actor Jason Gedrick, who played Doug Masters, being occupied with the movie Rooftops, forcing his character to be killed off. Ask Alien fans how they feel about star characters being unceremoniously disposed of. So there was one misstep.

The second was glasnost. “Teaming up with the Soviets against a Middle Eastern petty dictatorship” doesn’t have the same appeal as fighting them. And if Mirages/Kfirs as “MiGs” are questionable, F-4 Phantoms as “MiGs” are downright laughable, being a far better known and far more distinctive shape. The plot is similar to the much later Top Gun: Maverick, in that a vague opponent has a nuclear facility that needs to be blown up, and then things blow up. However, that MacGuffin is common enough that I can believe it as just a legit coincidence.

For all the stumbling, this movie still has explosions, and is cheesy to a degree that makes the first look like a serious art film drama in comparison. Come for the terrible accents, stay for the “BMP” that’s an M113 vismod on the level of the costumes on dogs in The Killer Shrews. It’s not art, but you probably weren’t expecting a movie called Iron Eagle II to be art. It is extremely stupid fun.

Review: Handbook of Military Knowledge For Commanders

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Handbook of Military Knowledge For Commanders

One of the biggest treats I’ve read is the translated 1980s Chinese document called the “Handbook of Military Knowledge For Commanders”. Exactly as it implies, the document is a hundreds of pages long and highly deep look into the Cold War’s least advanced and most secretive major army. Because of this, it’s an excellent resource not just for the Cold War PLA, but also many of the client states/units equipped, trained, or even just inspired by it. As well for less-advanced (compared to major powers) armies in general.

A lot of this contains basic stuff that any field manual reader won’t find surprising. The layout, at least of the translated version, leaves something to be desired. And there are a few translation quirks like keeping the romanized Chinese word “Fendui”, instead of just saying “units” or “subunits” (as would be appropriate for the context.) In fact, the document has the worst of both worlds in that it shows “Fendui” but not the original characters, making it confusing for both English and Mandarin native speakers.

Still, this is an excellent study of not just that specific army at that point in time (mid-1980s), but also of many principles applicable to all forces at any time. If you have the time to dig through four hundred pages of field manualese, it’s well worth your while.

Review: Children of the Night

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Children of the Night: The Strange and Epic Story of Modern Romania

With All Union and my Soviet-Romanian War project, I figured getting a good one-volume history of the Southeast European country would be nice. And Paul Kenyon’s Children of the Night delivers. It starts in 1442 with Vlad “Dracula”, or “The Impaler” Tepes, and more or less concludes with the execution of Nicolae Ceausescu in 1989. The book is a magisterial epic of Romania’s frequently bizarre and violent history.

One consistent theme is Romania being perched on an unsteady point and being tugged on in multiple directions for centuries. Whether it be the Hungarians and Turks, the Russians and Turks, or the east and west in the Cold War, Romania always feels like an odd one out, a Latin enclave in a Slavic realm. The most blatant example of this was Romania spending the first part of World War I figuring out who it should support (it sided with the Entente eventually), but this was shown throughout history. The most ghoulish is Ion Antonescu’s regime conducting some of the worst massacres of the Holocaust, but suddenly changing its mind on the deportation of Jews-conveniently right after the encirclement at Stalingrad.

But it’s its postwar history where the book shines. Ceausescu’s reign of terror is well documented, and the scenes of his fall and execution read like they could have come straight from The Death of Stalin. It also shows that his tendencies towards what can be called “independent totalitarianism” started under his predecessor, Gheorge Gheorghiu-Dej.

If you could only read one book on the history of Romania, this would be a good contender for the choice. It’s definitely worth reading.

Review: Battle Whale

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Battle Whale

Alan Spencer’s Battle Whale is a parody of the “creature feature” monster thriller books that its publisher usually makes. Its premise and plot (to say nothing of its tone) can be described pretty accurately from just the title. It’s a spoof. But it’s not a very good spoof.

The first problem is that it’s very forced. A good spoof in my eyes needs to be deadpan. This just shoves the wackiness forward at every opportunity. The second is that the joke is repeated for a hundred and fifty pages, which is about a hundred and forty nine more than it would need to be fresh. Third-this isn’t exactly Douglas Adams or Mark Twain in terms of prose.

It does know the genre it’s mocking well. I’ll give it that. But only that.

Review: Star Wars vs. Warhammer 40k Season 1

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Star Wars Vs Warhammer 40k, Season 1

Star Wars and Warhammer 40,000 combine science fiction with mystical fantasy, albeit the latter to a much larger degree. So it came as little surprise that one self proclaimed “fan with too much time” made an elaborate crossover audio drama of Era Indomitus 40k and prequel-era Star Wars. A large fleet from the Imperium of Man gets blown into the Star Wars galaxy at the height of the Clone Wars. Stuff then ensues.

An open-ended fanfic is always hard to review exactly, so I’m sticking with the first season in this review. And it’s excellent. First, the audio drama has some great written and voiced scenes, like describing what it’s like to be on the receiving end of an Astartes/Space Marine attack (hint: not very pleasant). Second, it manages to balance the factions well. The clash of Astartes vs. Jedi is balanced in an apples vs. oranges way, as they’re not symmetric superhumans the way that say, Astartes and SPARTANs from Halo would be. Finally the culture clash (as in, what happens when a sane universe meets a crazed one) is handled great as well.

This reminded me of Worldwar, with the Imperium as the lizard-race. It’s been a very fun way to pass the time.