Unstructured Review: The Survivalist

Having completed the Herculean task of finishing the entire Survivalist series, I figured it would be ideal for my first unstructured review. The “formal” parts can be found in my reviews of Total War and Pursuit, and not that much has changed in terms of zombie sorceress contrivance or rivet-counting detail.

The first nine books are good fun for anyone who likes 80s cheap thrillers, and the overall arc provided the series with a natural stopping point. The Rourke family and friends ride out the fire wave around the world in suspended animation, and they wake up to await the return of the Eden Project, a similarly suspended group of people launched into space just before the nuclear war to return a long time later.

Ideally, they’d ensure the safe return (with Billy Thorpe’s “Children of the Sun” blaring? 😛 ) and that would be that.

_ _ _ _ _ _

Instead, after the tenth book, the series felt increasingly less post-apocalyptic and more self-indulgent. Ahern could finally write the sci-fi he wanted to, and the books felt like an author’s toy box. This is not a bad thing at all by itself-after all, more than two dozen books of Rourke flopping around in the wilderness would have felt monstrously dull and samey in its own right. However, the hearts of the books are still close combat with laboriously described pistols, bullets, and knives. It’s just occuring around a backdrop that by the end involves Nazi mad scientists, memory-implanted clones, and hypersonic fighter aircraft.

The soap-opera serial nature meant a clear-cut possible ending never emerged again after the ninth book (even the finale is kind of rushed). The characters almost never have to scavenge and can fish from convenient arsenals. The world has a “Fallout game” problem of everything working after sitting for centuries (and of course, everyone using either real or replica versions of centuries-old equipment). Convenient underground and underwater cities emerge when the plot calls for it. The series never was “plausible” and had ridiculous geology from the get-go, but the parade of gimmicks still felt contrived.

The rough and tumble charm of the first few books is gone and the sci-fi action stuff doesn’t quite rise to the level of replacing it. If I had to give a reason, it’s a sort of “have the cake and eat it too” effect where there’s all this supertech but still the good old familiar (and of course, exactly infodumped) weapons. The science fiction tone isn’t really that much of a problem, but I still liked the original postapocalyptic one better and have read better military science fiction than the weird hybrid Ahern made.

And then there are the fundamentals. They don’t get that much worse, but often they weren’t the best to start with. That Ahern wasn’t afraid to shake up the character relationships and kill an important character off is a good thing. That Ahern devoted a lot of time to characters pondering about their lives and continued a love triangle for muuuuch longer than he should have is not. For the action and prose, Ahern’s definitely not the worst, but he doesn’t really try to grow that much.

The later books are still readable and still have the action feel -if they didn’t, I wouldn’t have finished them-, but the series definitely goes past the point of diminishing returns after the ninth or tenth book and the lack of “compartmentalization” means they’re less enjoyable on their own.

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I’d only really recommend the first nine books to cheap thriller fans. I must emphasize I don’t want to be too hard on the later ones in spite of my critique. A much better author would still struggle with keeping quality up over a very, very long series. Ahern was clearly writing the way he liked and was making a sincere effort to be different. The books kept flowing well and did not devolve into total clunkers like say, later Tom Clancy ones.

But they’re still less interesting and unless one is really into Ahern’s writing or is determined to see the overall plot through to the end, I’d say that there’s better sci-fi or contemporary action novels out there than the later Survivalist novels. Still, nine fun goofy over the top cheap thrillers isn’t bad.

 

Review: Pursuit

Pursuit

Pursuit is the thirteenth(!) installment in Jerry Ahern’s Survivalist series, the first of which, Total War, I reviewed earlier on this very blog. The Survivalist changed dramatically from start to finish, and Pursuit is representative of this change.

Icelands

Well, on one hand, Pursuit has the series at a crossroads between the pure post-apocalyptic survival it was in the earliest books and the sci-fi action it would become in the latest ones, with the only constant being Rourke shooting lots of people with his beloved Detonics pistols. It has action novel cliches but little else. Certainly a story that starts with the main character piloting a high-tech one-crew “minitank” and ends with a visit to a geothermally fueled paradise colony doesn’t seem like it has much in common with Clancy or Bond…

-But on the other hand, most of it takes place in Iceland. And the Soviets invade Iceland! And it was published one year before Red Storm Rising to boot!

So it’s literally Icelandic. 😛

Rivets

The rivet-counting is reduced to sci-fi infodumps and the usual exact detailed descriptions of firearms anyone who read the series will know as routine by now.

Zombie Sorceresses

Now it gets crazy. Ahern, to achieve his dream of writing backdoor sci-fi with a publisher who wanted modern action adventure, set a massive chain of events in motion. An atmospheric fire-wave would destroy most life on the surface.

Rourke and his family/friends acquired a suspended animation serum and used it after entering his underground “retreat”, leading to a five hundred year time skip. Since then, survivors from other underground shelters (including in the Soviet Union) and from the Western “Eden Project” launched into outer space to return five hundred years later, have repopulated the world, giving Rourke more targets to shoot plot opportunities.

The result was a tech-boost and a supply boost.

The “Wha?”

Now this part isn’t really changed. It’s still ridiculous 80s action, and there’s still some survival there. However, the characters have solidified and so has the series financially. Since by Ahern’s own admission it was a “soap opera”, get ready for cliffhanger endings and long meta-arcs. And soap opera character drama, including things like Rourke’s selective use of the suspended animation process to age his children up to pair them off with fellow adventurers he wasn’t related to (and, conveniently, get them to action hero age), and his wife’s dislike of that.

What has changed, and it’s a gradual change that has progressed ever since Rourke found his way back to the “Retreat”, is that it becomes less and less about actual survival and especially scrounging.

The Only Score That Really Matters

If you’ve made it through the twelve previous books in the Survivalist series, you probably know what to expect. It’s 80s action, and it grows ever more fantastical and less directly post-apocalyptic with each installment.

It’s something, and in this case it was an Icelandic something.

 

 

Review: Total War

Total War

It does not take a PHD in literary theory to guess why interest in postapocalyptic stories rose as the Cold War heated up in the early 1980s. One of the most infamous is Jerry Ahern’s Survivalist series, starring the Detonics miniature 1911 pistol-and the man firing them, John Rourke. Reviewing Total War, the first book in the series, I found it very good for what it is.

Icelands

Ok, I want to take a second to argue that my original category of “Icelands” may be obsolete. I’d envisioned it as applying to a much narrower group of stories than I ended up reviewing on this blog. It was designed for a very short continuum between Hackett’s Third World War and Team Yankee. It was not designed for something like this, a pulp adventure thriller. So I may be doing a revamp of my whole post structure, and if I do, “Icelands” is the most likely category to be changed or revamped.

That being said, Total War is very much an 80s pulpy cheap thriller. Just those words should give you a hint of what to expect.

Rivets

This is one of those “it tells you exactly what kind of gun it is” books, be it a revolver or Detonics pistol. It has a lot of lists (including a description of Rourke’s survivalist lair), a lot of long descriptions of scrounged gizmos. Yet they don’t really get in the way of the fast-paced action.

Zombie Sorceresses

Pretty much what you’d expect from a post-apocalyptic thriller in terms of contrivances. The nuclear blasts are actually handled fairly reasonably, especially given the genre. They’re not the biggest issue. If I had to give one issue that’s the most contrived, it’s how waves of bandits for our hero to fight appear out of nowhere like it was a Bethesda Softworks video game.

The “Wha?”

This flows good for a first installment. We go from Rourke fighting in Pakistan to an infodump about his survivalist lair to the nuclear war, to him and his wife both fighting bandits.

One thing I was impressed by was how even-handed he was by action novel standards. For an American cheap thriller written in 1981, Ahern portrays some of the Soviet characters with surprising deftness and sympathy.

The Only Score That Really Matters

Ok, this is basically a western version of Fist of the North Star, except instead of going “ATATATATATATATATATATATATATATATATATATATATATA omae wa mou shindeiru”, Rourke simply shoots his opponents with his Detonics pistol. If you think that’s tacky, this book isn’t for you. If you like it even a tiny bit, it is.

Furthermore, Ahern is surprisingly good on some of the literary fundamentals. The book is short and moves quickly. The “clunky first setup part” only exists to a small degree here. And while Total War isn’t exactly Peters’ Red Army, its Soviets are considerably less supervillain-y than a lot of other novels in this time period.

Total War is worth a read if you like cheap 80s action.