Season of Slaughter
It’s time to fast forward several decades from the debut of Mack Bolan. Now he’s the well-established king of the adventure novel with many spinoffs and many, many more novels to his name. A more recent Bolan, 2005’s Season of Slaughter, is the subject of this review.
Who and What
Bad guys do something very bad at the beginning. Mack Bolan and company move to stop them from doing more bad things. Simple cheap thriller plot, simple cheap thriller characters. Although I have to say there are a lot of characters here, contributing to the “overstuffed” feeling of the book. I have a slight hunch that some may have been there to let a casual reader notice that the spinoffs existed.
The prose unsurprisingly feels like an action movie in words. Characters firing Desert Eagles and skidding safely away from mammoth fireballs.
DEEP HISTORY OF TEM
There are the usual gun infodumps, and a very, very detailed infodump about a super-helicopter used by the protagonists. Only a few of these infodumps go to ‘waste’ in that they’re totally irrelevant, but many of them are gratuitous. Of course, this entire book is gratuitous.
Apart from the action novel contrivances, the choice of villains is less zombie-sorceress than you might think in one way. It’s an alliance between Islamist terrorists and white supremacist terrorists. This is handled with a surprising amount of deftness-it’s treated only as a teeth gritted alliance of convenience against someone they both hate and nothing more.
Of course, they’re coordinated by a cartoon anarchist group and backed by supermercs, so the zombie sorceresses reassert themselves there.
The “overstuffed” nature of the book is nowhere more apparent than in the action. There’s a lot of action scenes shoved together into this fairly small book, from fistfights to helicopter dogfights. The action can still be blurred and clunky at times, but one advantage of the many characters is that it allows for diverse fights.
And to be fair, this kind of book is the kind where you expect lots of action. I’d rather have too much action in a cheap thriller like this than too little.
The Only Score That Really Matters
This is an assembly-line book, and it shows. But it works as an assembly-line cheap thriller. The first Mack Bolan was a late 1960s cheap thriller, while this is a 2000s cheap thriller. This has explosions and Mack Bolan action, and that’s what’s asked of this kind of story.
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