A tale of middleweight contender Eddie Brown, The Professional is a novel by legendary sportswriter W. C. Heinz. What’s interesting is comparing it to Malamud’s The Natural, as they take extremely different paths but arrive at the same level of quality. This deserves more explanation.
Malamud did not know much about baseball. Heinz knew boxing inside and out. Book Roy Hobbs is an ass that you’re not supposed to root for. Book Eddie Brown is meant to be a decent, sympathetic figure in a bad sport. The Natural loved making flourish and mysterious performance shifts depending on the plot. The Professional is grounded and realistic to a fault. The Natural is a third-person book. The Professional is a first-person book. The prose is blocky in both, but while Malamud is excessively flowery, Heinz is very Hemingway-esque (not surprisingly, that author loved the book). And yet both come across as being stilted, pretentious, and dated.
Its main characters are not very good. Brown is not a bad protagonist but he can’t make up for the faults of the other two, which are massive. The two other central figures are Brown’s hideous Mary Sue of a trainer/manager and the first person sportswriter narrator, who fits the “character as camera” archetype I’ve seen in other negative reviews of first-person books.
As for the book itself, it consists of realism-as-padding, outright padding, and expects the reader to treat the technical decline of boxing as some great tragedy. I could be a little harsh on it because it would be far more novel and revealing to a 1950s reader who only knew boxing from television and the pulps (not surprisingly, there’s a scene where Heinz, via one of his mouthpieces, swipes at them for their inaccuracies). But to someone much later who’s read a lot of excellent nonfiction on the sport, it just felt plain and empty.