Review: The Hungry Dead of Yu-Ching And Other Stories

The Hungry Dead of Yu-Ching And Other Stories

From Sea Lion Press author Paul Leone comes The Hungry Dead of Yu-Ching And Other Stories, a series of horror-fantasy-thriller tales spanning history. From the ancient past to the Cold War and beyond, he brings to life one supernatural confrontation after another. Each story is short but sharp and never wears out its welcome.

I might be biased given the preferred subject matter of Fuldapocalypse, but I liked the “Red Dawn [no relation to the movie], Operation ___” stories the best. It’s very hard to go wrong with Soviet commandos facing extranormal enemies, and I grinned at every word of those tales. Not that the others were bad by any means, but these were my favorite.

In short, this is a very fun collection. I enjoyed it a lot and highly recommend it.

Review: Operation Siberia

Operation: Siberia

William Meikle’s Operation Siberia is not deep fiction. But it is very fun fiction. With a recommendation from The Sci-Fi Fantasy Reviewer and a love of prehistoric megafauna that stretches back to David Macaulay’s The Way Things Work, I knew I had to read this book. And I was not disappointed.

The plot is basically a Jurassic Park knockoff that descends into what’s essentially “Scotsmen vs. Yetis”. Done with solid execution, it’s a great cheap thriller to pass the time. While not deep even by genre fiction standards, I enjoyed it a lot. Meikle takes a great premise and applies it well.

Differing Fandoms, And What That Means For Alternate History

Seeing a post on the different “Eagle” and “Sparrow” fandoms made me think of this blog. After all, it started off trying to be small and selective to a small and selective group of literature. And then it ended up reviewing lots and lots of fiction in genres anything but those. Now, that post has its issues, but the general trends hold up.

Wargaming is an ideal “Eagle” fandom, small, selective, and often focused on exact details and quality. In contrast, cheap thrillers are a perfect “sparrow” fandom, where many are simply interchangeable and quite a few readers aren’t picky at all. Neither of these are bad things in the slightest. One can enjoy a deep simulator and a shallow mobile game just as much. But they are clearly different.

In conventional World War III fiction, it’s very easy to see the spectrum from “Eagles” (War That Never Was, wargames, especially advanced ones, etc…) to “Sparrows” (Ian Slater, other trend-hopping fiction). For all my criticism of Larry Bond, an underappreciated advantage of his books is an ability to balance between the extremes, making, or at least sincerely trying to make, something that’s technically adept enough for the “eagles” and relatable enough for the “sparrows”.

But where I’ve seen the biggest dichotomy is in alternate history. Like any other genre/type of fiction, it has its “eagles” and “sparrows”, and it’s made worse in my eyes from inherent divisions. IE, the same person is unlikely to consume Brad Smith’s World War 1985, Bridgerton, and Hotline Miami just because they’re all “alternate history”.

And internet alternate history, starting off as a pretty obvious “eagle”, has gradually changed. If I had to describe a lot of it, I’d use the term “a sparrow with the trappings of an eagle”, a sort of Mimikyu. There’s exposition, stock photos, and wikiboxes with exact details and little/no effort to make a broadly appealing narratives. Yet a lot of these events are contrived, ill-researched-and accepted.

The reason why I found New Deal Coalition Retained‘s conventional World War III so legitimately fascinating and not just bad was because it embodied this trend and (negatively) stood out so much from the Fuldapocalypses I knew so much about. Military alternate history (especially the American Civil War and World War II) has this reputation for being more “eagle-y” than a coordinated F-15 flyover of Lincoln Financial Field.

Here comes this war with absolutely no thought put into its logic beyond the absolute basic trappings of Clancy/Bond (which I think might have been copies of copies), a knockoff of World War II, and a desire for BIG CASUALTY NUMBERS. Yet it’s broad-scope told in a pseudo-Hackett way of pure exposition mixed with a handful of vignettes. While the most extreme example, it illustrates the strange evolution of internet alternate history through its blatant and noticeable issues.

A Thousand Words: Action PC Baseball

Action PC Baseball

I think my favorite sports simulator of all time is Action PC Baseball. Of all the (worthy) baseball sims I’ve tried, this hits the “just right” level of simplicity and depth. Instead of being a “tycoon” game, it’s a single season replay/simulator that requires a lot of manual setup. It’s also an individual game simulation that’s pretty easy and relaxing to play, with a game able to be finished in minutes with the right settings.

This seems like Jekyll and Hyde, but these elements actually complement each other well. If I’m in the mood for some relaxing time-passing, I can just fire up a single game controlling both teams and enjoy it for that. If I have the time and energy for creating massive “what-ifs”, I can focus on building the rosters (which is frequently very fun). Though simple and a little hard to get into, the UI is very smooth once figured out.

In short, this simulator is one that has given me many, many hours of fun, and different varieties no less.

Having A Pile of Unread Books

I’ve come around to actually liking having piles of unread books (and yes, for me that means both metaphorical and literal piles of them.) There have been times when I’ve actually “succeeded” in reading through all the books I’ve wanted to. And it’s a weirdly unsatisfying feeling.

Whereas having a variety of books in various degrees of “Ok, maybe sometime I’ll start them” means that when I do have the time and desire to read one, I can just grab one that’s ready to go. And that’s a weirdly satisfying feeling.

Review: Olympus Rises

Olympus Rises

After reading a novel dragged down by trivialities like “technical realism”, it was an amazing experience reading one that threw all that aside in favor of crazy action. The first entry in the Code of War Series, Jim Roberts’ Olympus Rises is such a story, dealing with a supervillain sci-fi mercenary army and the modern soldiers who end up fighting it. Like the Black Eagle Force series before it, this is not the most fundamentally sound book. And while this goes without saying, anyone bothered by a lack of plausibility probably won’t like this.

However, that doesn’t matter. This is a very, very fun book and I had a great time reading it. Sometimes you just need jetpacks and mecha-ninjas. The many cliches and references I saw actually enhanced the experience in my views. It’s that kind of book, and that’s the kind I frequently take to reading.

The Breach

One of the most difficult military operations (although to be fair, none could be considered truly “easy”), and one I’ve recently been looking at in my armchair studies, is the breaching operation. Requiring firepower and engineering in massive and coordinated amounts, its challenge is emphasized in everything that talks about it. Yet what’s equally interesting is that defending against such an attack requires just as much in the way of perfectly synced combined arms as launching it.

It’s a counterintuitive paradox that fortifications (the official term for preparing them called “survivability” ) are important to manuever war and mobile counterattacks are equally important to positional warfare. For the former, I’ll just say that artillery hasn’t exactly gotten less effective since World War I. For the latter, any position can be eventually reduced and overwhelmed with firepower if the opponent is given the chance.

Review: Vortex (Larry Bond)

Vortex (Larry Bond)

Larry Bond’s Vortex is a tale of war in southern Africa, as a revanchanist South Africa seeks to retake Namibia, with the opposition of Cuba and the Americans drawn into it. My first proper Larry Bond novel in some time, I wanted to see how this, his last pre-Soviet collapse novel went. And the answer, sadly, is “not too well”.

I knew his style, and, starting this blog, thought it was a lot more common than it actually was. I knew it’d have a lot of conference room scenes. I knew it would have a very long opening act to set up the war everyone knows is going to happen. I knew it would hop around viewpoint characters a lot and focus on each and every part of the war. Yet I wasn’t prepared for how excessive all of it would be. This is the longest, clunkiest, and, I hate to say it, worst Larry Bond I’ve read.

It takes over a hundred pages just to get to the conference rooms. The book has this weird “too hot and too cold” feeling where it stays for a while on a low-rate cloak and dagger plot in the first half and then explodes into too many tangled threads in the second. Naturally, all of this makes the ending too contrived and neat.

This is a shame because the premise-expanding on a real conflict with truly interesting participants and tactics in a theater of war genuinely unfamiliar to many Americans-is a very good one. Which makes it being squandered in this huge mess all the worse. Bond has written much better than this, and his other works have similar-level battle scenes without the structural failings here.

Review: The Hamfist Trilogy

The Hamfist Trilogy

George Nolly’s Hamfist Trilogy consists of a compilation of novels set in the Vietnam air war, as written by a veteran of the Vietnam air war. The books are weirdly breezy and good-natured for war novels, which sets them apart. Especially since it also tries to be generally realistic-Mack Maloney this is not. This is a passion project, for better and worse.

Thus it sometimes feels sloppy. The tone can sometimes come across as overly rambling and not the most suited for the story Nolly is trying to tell, with the first person perspective not always helping. But it gets enough of the basics and little details right that I enjoyed reading it. And I say this as someone who often doesn’t go for straight historical fiction.