Tag: American

Review: The Death of Russia

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The Death of Russia

It’s uncommon but not unheard of for a book to have its premise done better by something else in more or less every single way possible. So is the case with The Death of Russia, an alternate history story told through exposition and snippets about Yeltsin dying in the early 1990s and the world sinking into chaos. AH enthusiasts will also know that Zhirinovsky’s Russian Empire was another alternate history story told through exposition and snippets about Yeltsin dying in the early 1990s and the world sinking into chaos. Both started off as forum timelines and then were commercialized.

The first issue one notices is the writing style. Namely, giant breathless blocks of text. The timeline tries to do the “snippets from in-universe books and the like”, but this falls flat because all the “sources” read exactly the same. The second issue is the relentless grimdarkness. While based on stuff that sadly did happen, this just feels gratuitous. There being no real characters or anything but pure exposition makes both problems all the worse.

Eventually things spiral into a nuclear World War III. However, it’s worth noting that a fake interview with Evangelion’s producer starts off the chapter in question. Since pop culture is an obsession of the online AH fandom, this is not exactly a good start. The strike itself is no Arc Light or Red Hammer 1994. I actually fell annoyed at how a (mostly) survivable nuclear war, a topic that fascinates me, was handled so badly. It’s handled with all the grace of a minor league sportsball game report. Namely, a minor league game report written by an basic computer program that saw the box score.

In fact, what’s honestly interesting about the final nuclear exchange, besides the teeth-gritting “it doesn’t work like that” inaccuracies, is how it demonstrates a critique I’ve had for a while now. In the footnotes, the author doesn’t cite those two novels, or any real study on a limited/counterforce-heavy big nuclear strike that would leave society survivable. No, it’s another timeline, an earlier one called Able Archer 83.

But for any normal reading, I’d just say “read Zhirinovsky’s Russian Empire instead”.

Review: Carrying the Fire

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Carrying The Fire: An Astronaut’s Journeys

Long considered one of the two best astronaut memoirs (the other being Mike Mullane’s Riding Rockets), Carrying the Fire is the autobiography of Apollo 1 command module pilot Michael Collins. He got to go to the moon but not walk on it. Collins insisted on writing the book all by himself without assistance, and it paid off. Not only was he a capable pilot and astronaut, but he turned out to be an excellent author as well.

With both humor and majesty, Collins tells the story of flight and the moon program. Anyone interested in outer space should get this. It’s an excellent book and even greater autobiography. While it’s not nearly as fresh as it was in 1974, that’s a small and inevitable “problem” to have. This is a great book.

Review: The Reckoning

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The Reckoning

David Halberstam was one of the most legendary historical writers. In The Reckoning, written at the height of the 1980s auto crunch, he turned his eyes on Ford and Nissan, trying to find what made carmakers on both sides of the Pacific go. Halberstam has a talent for writing. Unfortunately, that very skill makes it uneven.

It does a good job describing formative events like Henry Ford’s family drama and the 1953 labor dispute at Nissan that shaped not only it but the entire Japanese auto industry. It also does well when looking at individual workers caught up in the mess. Although I have to say that it’s very hard to write about the auto industry and not make it interesting. The field is just so inherently complex and full of colorful stories.

So what are the problems? Well, it’s dated for one. This isn’t as bad as it could have been. Yes, it’s a more than a little “JAPAN GOOD”, but certainly not to the excess of some other bubble era publications. After all, this shows the Japanese industry warts and all. It also aptly points out in its study of the South Koreans how the rest of Asia was cracking its knuckles and preparing to charge-which came to pass.

No, the biggest obvious problem is that it’s too “Bruce Springsteen”. Which is to say it has the tone of a wealthy suburbanite who idealizes the blue collar worker’s struggle too much. Its slobberingly positive portrayal of UAW head Walter Reuther is the most obvious part of it, with even sympathetic history works on that man being far more critical and full than Halberstam’s hagiography. This also leads Halberstam to idolize the “Manufacturing Men” over the supposed “bean counters” who nickel and dimed every car to pieces. (Not surprisingly, Robert McNamara in his pre SecDef days is there and scorned).

This leads to the next problem that someone with any kind of interest in the auto industry can see: It’s too centered around the capital-N Narrative of the Good Manufacturing Man being brought down by the Evil White Collar Consultant. The “Manufacturing Men” in both continents could get away with running hog wild simply because their industry was in a boom. Once it busted, they simply had to start penny pinching. After all, the first Japanese car company to close a plant and downsize was… Nissan. All this is combined with something that, for all his research, Halberstam didn’t actually have much familiarity with, and it showed. It’s also catnip for the mostly well-off target audience of the book.

Still, for all its problems this is something I’d definitely recommend.

Review: Invisible Armies

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Invisible Armies

Author, historian, and (sadly) political commentator Max Boot takes the reader through thousands of years in Invisible Armies, his chronicle of irregular and asymmetric war throughout history. Let’s just say that I’m no fan of either his past or current viewpoints on contemporary politics and leave it at that. Not just because I don’t want to get political here, but because it’s basically irrelevant to the actual book. (Which is a huge point in its favor, I might add.)

Said book is a masterwork of popular history. It has the weaknesses of its format in that by design it can’t go into too much detail, and no doubt there are some inaccuracies that I couldn’t tell but which someone more invested in the subject matter could. But it also has the strengths of it in that the facts are presented in an extremely engaging way.

There’s one central point made throughout the book, which is that contrary to both recent high-profile examples with small sample sizes and “fourth-generation war” thunderers, the default outcome for an insurgency is loss. Most of the time, it either fails completely or can’t progress past its initial strongholds. There’s also the less novel reminder of almost all successful ones having the support of an outside state.

As something that both explains and demystifies unconventional war, I highly recommend this book.

Review: Louisiana Firestorm

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Black Berets: Louisiana Firestorm

The Black Berets series was a range of now obscure 1980s men’s adventure novels. My first exposure to it was in Louisiana Firestorm, the fifth installment. I found it a sad disappointment. For an action novel series, there really wasn’t that much action, and what there was wasn’t that well written.

These are the perils of a quantity based series that has every book being short. It should come as no surprise that the listed author, “Mike McCray”, was actually two separate people sharing the pen name. One of those people, Michael McDowell, was also someone whose work included screenwriting for the movie Beetlejuice (!). Ultra-cheap thrillers seem to attract the weirdest array of people.

Unfortunately, McDowell’s presence in this series is far more interesting than anything in Louisiana Firestorm itself. You make as many shots as a quickie, throwaway mens adventure series does, and you’re bound to have a lot more misses than hits.

Review: Tomorrow’s Soldier

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Tomorrow’s Soldier

David Alexander’s Tomorrow’s Soldier is a book that you’d expected to be dated based on its subject matter. It’s a 1999 popular account of the WARS AND WARRIORS OF THE FUTURE. And it is dated. It’s also somewhat shallow even by the standards of the time.

It’s still interesting, but isn’t really a rigorous study. The descriptions basically consist of trends that were obvious even at the time (ie, more digitization/etc…) and the obligatory description of wunderwaffe like power armor. This is a little less triumphalist than some other books of its nature, but it isn’t really more substantive.

This felt like a throwaway book even when it was written. And now it’s an older throwaway book. So I’m not really recommending it except as a curiosity. I do wonder if the same “David Alexander” who wrote this was the same “David Alexander” who wrote the ultra-middling Marine Force One. If so, it would be fitting.

Review: Fire and Maneuver

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Fire and Maneuver

The second entry in James Ronsone and Alex Aaronson’s 1981 World War III, Fire and Maneuver continues its predecessor’s excellent work. While it does not bring the most novelty to the subgenre in terms of its structure, in execution it does very well, hopping between viewpoints in a way that’s both smooth and fast. And it actually has an M47 Dragon being able to destroy something in a stretch of logic that works for story reasons.

Jokes about the Cold War’s worst ATGM aside, this is a good entry in a scarce genre. If I had to make one criticism, it’s that long, exact system designations are used a little more often than I found credible. But that’s a tiny nitpick and doesn’t detract from the experience.

Review: Expedition Mars

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Expedition Mars

Martin J. L. Turner’s Expedition Mars is an analysis of what a manned voyage to the red planet would take. It’s a very detailed analysis that includes a final hypothetical trip. It’s a very good and interesting book. The problem is that it’s not a very accessible book.

This is a very math heavy book full of calculations. There doesn’t even feel like an attempt at making it readable by someone not terribly knowledgeable in the field (ie me). It’s fine to make an apple instead of an orange, but if I don’t like apples (actually I do like real apples but that’s not the point), I’ll say it.

If you like a hardcore book on Mars exploration, I recommend it. But only if.

Review: Shanghaied on the Rio Grande

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Shanghaied on the Rio Grande: A Novel of World War Three

Just looking at the suffix of this book made me go “I had to review this.” Granted, William Joiner’s Shanghaied on the Rio Grande is more like a short story. But it’s still a World War III invasion story. I thought the length of this would mean there was some kind of publishing mistake or the story was unfinished, but no. It’s wrapped up within its few pages.

This reads like a teenager with little knowledge of the military or geopolitics who read far too many 1980s adventure novels writing a fanfic of those. I do not mean this in a negative term. The Chinese seize control of the American nuclear arsenal and walk in, dominating and trying to force Americans to become Buddhists (seriously). Opposing them are heroic Texans, one of whom is named Billy Bob (also, seriously). The story wraps up incredibly quickly (as in two pages) once the Americans get their nukes back and rout the Chinese.

Is this stupid and offensive to Texans and Chinese alike? Yes. But is it fun? Also yes.

Review: The Fury

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The Fury

John Farris’ psychic horror thriller The Fury is an extremely 1970s novel. The horror story of psychic heiress Gillian Bellaver and the Sandza family consisting of father/agent Peter and psychic son Robin, it manages to have both the good and bad of its genre in full, making it a very “mean 51%” book.

The Fury has genuinely atmospheric tension, excellent body horror, and a serviceable plot that anyone who’s seen Carrie and/or Scanners can get into. It also has horrendously purple smut scenes and incredible pretentiousness. For every “good icky” scene like horror powers manifesting, there’s a “bad icky” scene like-well, pretty much all of the “naughty” there is.

Beyond that, it just has too much missed potential. There’s an entire metaphysical world described past the immediate characters that reminds me of the Warp from Warhammer 40,000, but instead of exploring that and the emergence of superhumans, Farris spends way too much time on middling action and not-so-middling character scenes.

Still, this is unique enough and good enough that I’d at least recommend giving it a shot. I can see different readers having different tolerances for its weaknesses.