Prop Betting

One of the most revolutionary changes in sports betting in recent years has been the rise of player props (ie, will this player score? How much of Stat X will this player accomplish in the game? Will the final score be odd or even?) Veteran gambling reporter David Purdum talks about this paradigm shift in an ESPN column. Props began in popular culture as those goofy things they did in the Super Bowl, but have now risen up massively, displacing the old spreads, totals, and moneylines.

Although Purdum’s column talks about the NFL, props are something that can (and have) been done in any sport with a relevant stat. Looking at the upcoming English Premier League matches, I’m seeing between 400 and 550 props on each game. (There are already over 200 props at some books for NFL Week 1 games a month off from the writing of this post). I saw an array of props for an upcoming cricket match. During the dark sports days of Spring 2020, I was both bemused and a little impressed by seeing giant prop menus for Belarusian soccer matches.

Of course props have a downside too from a business perspective, and that’s that they amplify the sharp-soft clash greatly. Traditionally, the few sharp books have had fewer and tamer prop markets than the much larger number of soft ones. It’ll be interesting to see to what extent the player/team prop markets can be “sharpened” the way the main lines have been.

But as of now, it’s a very reasonable question to ask “how can you ensure a house edge on hundreds and hundreds of different markets [things to bet on]?” And the answer is often “you really can’t.” The approaches are frequently blunt: Low limits, high house shares compared to lines, and restricting/limiting people who consistently win.

Still, for better or worse, giant prop bet menus are here to stay and dominate.

The Poker Boom

As someone very young during the online poker boom of the mid-2000s, I knew it existed but wasn’t anywhere near aware of how insane it got. Looking back and doing research, I can say that for about three years, robbery became legal, as long as you were a good poker player. The excesses of it were sometimes just big, like how pros “multi-table” at several sessions at once, playing thousands upon thousands of hands a day, all while staring at the computer for many hours.

But the most interesting part is the zero-sum nature of poker and how that doomed the bubble to pop as much as anything the government did (after all, laws and court cases didn’t stop offshore sports betting at all). The boom featured sharp sharks dropping the equivalent of nuclear depth charges on poor square fish who’d seen Rounders and Chris Moneymaker living up to his namesake and thought “why not me?”

The problem came when liquidity dried up. Without a stream of new fish to get skewered, many former pros learned that they became the lower ones on the food chain. Many moved on to the similarly zero-sum daily fantasy sports, which popped just in time for sports betting to get legalized and crypto speculation to take off. And if the people complaining about restrictions because they tried to arbitrage off of William Hill got their wish and forced the sportsbooks to sharpen, the same feeding frenzy/market bubble that benefited only a few ultra-sharps would happen. In fact, I’m half-convinced it’s happening already, sportsbook restrictions or not.

The reason being that neither sports betting nor poker are actually that profitable for the house, especially after promotions, but that’s another story for another time. As is the story of poker-the book takes place roughly at the same time as the historical poker boom and one of my Sure Bet King ideas envisioned main character Eddie Ross being a moderately skilled poker who crushed weaker ones during the boom (with obvious effects on his ego), but a combination of the path the novel took and me thinking I didn’t know enough about poker nixed it.

While I don’t regret it, I think the right terms to use is that there was an opportunity that I did not follow. After all, the climax of The Sure Bet King is of a-based-on-a-true-story boxing event where sharps took advantage of squares in massive force. The poker boom was like that, only for years instead of one day.

A Thousand Words: Money Plane

Money Plane

Adam “Edge” Copeland and Kelsey Grammer’s Money Plane is the story of an attempt to rob a flying super-casino. It fails. Not the heist, the movie. This is an extremely stupid movie. And it’s not even that stupid in a fun way. It’s just inept. Even if one follows the reasonable assumption that action movies do not have to make sense, it’s a failure. Its suspension of disbelief refuses to be followed.

For instance, in-universe, a “master thief” doesn’t seem to know how many people crew the average commercial cockpit. Out of universe, a professional wrestler is squandered by having him spend the bulk of the movie sitting at the controls and talking. In-universe, there are no staff on this supervillain plane and no one goes to check on the cockpit even after the plane shakes and diverts from its original course. Oh, and almost all the resistance comes not from the plane runners but from other gamblers.

The film is very short but still feels overstuffed, not knowing if it wants to be a serious heist movie or a silly heist movie. None of the protagonists are very developed or charming, and even Grammer’s performance is a little too forced. The people behind the titular super-plane are squandered: The actors who play the “concierge” and “bookkeeper” on the plane actually do their supervillain roles well, but the movie bizarrely shifts away from them and towards unfunny “wacky” guests like a cowboy who ends up shooting himself in the head (it’s a long story). I wanted to like this movie, but it really doesn’t work, even as a dumb action movie.

Review: Blood Brothers (Dallas Barnes)

Blood Brothers (Dallas Barnes)

Not to be confused with the Black Eagle Force book of the same name I reviewed previously, Dallas Barnes’ Blood Brothers is the tale of Native Americans, casinos, and underworld intrigue. It’s also the book that, because of its subject matter, has highlighted the inherent differences between me as a writer and me as a critic.

Now the book itself is a 51% potboiler in a genre I’m not the most interested in. Yes, it’s full of cliches and doesn’t make the best use of them, but it’s also competently written. That’s what a 51% book is, basically. What separates it is the element that makes up the bulk of the plot, beyond the opening “publicity stunt gone wrong” incident that drives it.

See, it’s about the struggle to build a casino. Now the reader in me was thinking “is this really the best plot for a thriller? Something as low-stakes [no pun intended] and not really that economically beneficial as a casino?” But the writer in me went “Well, uh, you made an entire book where one of the main plots was about the establishment of an online casino. Clearly you thought it would be a a suitable plot point.”

I’ve said before that I don’t think being a critic has made me a better writer, but do think that being a writer has made me a better critic. This book is an interesting specific example of that. The critic part of me doesn’t think that highly, while the writer part of me can understand.

On Sports Betting Media

The legalization of sports betting in the United States has brought about a wave of media devoted to it. And even in the offshore era, there were no shortage of websites talking about gambling. After looking at sports betting media, it didn’t take me long to sour on it. Even with less direct knowledge, it came across as being extremely shallow at best and, more often, something sinister seeming. It felt like trying to goad people who knew basic sports trivia into playing a stacked against them game (even back then, I knew the fundamentals of how gambling worked).

And after finding out more, studying more, and getting the spark that would lead to The Sure Bet King, I feel weirdly proud to say that well, I was completely on point. The conflicts of interest are there. Sportsbooks themselves and their loss share affiliates (people who get others to sign up to the books in exchange for a share of the house winnings) obviously have no direct incentive to help punters win and much motivation to help them lose. There’s a reason why sportsbooks hype up the people who hit a monster parlay/accumulator (where multiple outcomes all have to win), because those are where the house has the biggest edge. The idea is to get Joe Sportsball Fan to be convinced that if he follows his gut and knowledge of trivia, like how Aaron Rodgers doesn’t have that clutch spirit, then the jackpot will be his.

Even more innocently, I think (no pun intended) that even without this conflict, a lot of sports betting shows are just basic sports opinion pieces given a gilded gambling coating. The indispensable “Sports Truth with William Leiss” channel (who I actually thanked in the dedication to my book, and with good reason), has two videos showing this, which is dubbed the “think tank.” There isn’t any actual statistical analysis (not that most sports hosts could really do it beyond “Oh, he’s hitting .230”), just stuff like “I think that the Giants offense isn’t ready yet so I think the Colts will cover.”

Then there are the few sharp bettors who are (of course) magnified on social media. To be honest, after seeing what it entails, I would chose one of my old jobs that involved hauling carts back to a rickety old, cramped supermarket, often in bad weather, for six days a week, in an instant over being a professional sports bettor. It just feels almost wasteful, like a strange form of slumming from people who have the drive and/or intelligence to succeed at other careers that are far less zero-sum and far more relaxing. Learning that a lot of the “sharps” win not by being better handicappers but by a combination of manipulating the lines and doing the equivalent of coupon-clipping and bargain hunting, further drove my opinion down.

In fact, despite me maintaining every bit of negative feelings for the sleazy tactics of the bookmakers, I actually began to take their side to an extent regarding the banning/limiting of winners (one of the most vocal complaints from the sharps). And it wasn’t just “oh, they have to make money.” It was more like “oh, they have every right to keep munchkins from plundering them. Good for them.”

And then there are the touts, or tipsters. These pick-sellers are nearly all scam artists, and when I saw how they worked, I knew that one would be the perfect topic for a novel. Touts got amplified because for the longest time they were the only sports betting figures who could operate semi-openly (see the infamous infomercials), and they took advantage of it post-legalization.

Finally, there are the various governments who treat sports betting as a tax-producing cash cow. New York is particularly ham-fisted in this regard, which is even more counterproductive because there’s the far more lenient New Jersey right next door. So yeah, there’s that too.

So I came away from my research with even less regard for the sports betting industry than I had before-and more of a feeling that it would be great subject matter. So I wrote my first full-length novel about that very topic. And I had lots of fun doing so.