Review: Condition Zebra

Condition Zebra

conditionzebra

The (supposedly) final arc of John Schettler’s epic Kirov series, now exceeding even The Subspace Emissary’s Worlds Conquest in terms of word count, begins with Condition Zebra. This is the story of a contemporary World War III, after the Kirov timeshifted away from another contemporary World War III, possibly making it the first series to have multiple World War IIIs in it.

Having read two books in the 49-and-counting series, I figured it would at least be the same as before.  I was wrong. It somehow managed to be worse. And it manages to be worse in ways that might be considered contradictory at first glance.

One one end, the basic nuts and bolts writing has all the problems of the past Kirov books (characters who exist solely to operate military equipment, rote technical descriptions of the battles that give away the wargames used to sim them, and overall clunkiness) and just feels sloppier, with the dialogue, grammar, and even structure seeming worse.

On the other, the giant timeline tangles get bigger, more confusing, and somehow more pointless-seeming than ever. Knowing the end result and purpose, it just feels like the developers of Madden, 2K, or The Show making up a gigantic plot about time machines and time-traveling team general managers to explain why past players can appear in a game with current stars.

Maybe it’s those above flaws and maybe it’s just that the novelty of seeing the world’s longest wargame let’s play has worn off after three books, but this doesn’t even seem bad in a bemusing way anymore. It’s just bad.

 

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