The Last Roman: Exile
Starting The Last Roman: Exile, I was struck by the extreme similarity of the gimmick to the Casca series. Namely, a Roman gets splattered during the Crucifixion, becomes healed and unaging as a result. I’ll let it slide because they’re both based on the Longinus legend that long precedes them both. Yet that’s not the biggest difference between them. Marcus, the protagonist here, and Sadler’s titular hero could not be more apart.
Basically, the Casca series after the second book used the circumstances of its main character as just an excuse for the pop-historical setting of the week. That he was connected to Christianity meant nothing, his background meant nothing, and each story was just a 51% effort (at most) historical thriller. This book is still a cheap thriller through and through, but everything in it is done so much better.
There’s a lot of flashbacks and jumping between eras, but it’s done very smoothly and effectively. The contemporary cheap thriller setting features a MacGuffin and plan that would do Jon Land proud. There’s an energy to it that Casca completely lacks, and I’m always glad to see a premise with potential done right.