Review: The Hunted

The Hunted

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Alan Jacobson’s The Hunted is the first entry in his OPSIG Team Black series of thrillers, although the later ones wouldn’t be written for some time after the initial publication date of this in 2001.

Reviewing this book was a little difficult. As I’ve said many times, I’m not the biggest fan of straight-up cloak and dagger books, which this definitely is. That being said, it’s kind of middling and feels (not surprisingly given its nature) like a smoothed-edges “grocery store thriller.” The climax is well-done, but getting there can be a slog.

The only thing that really jumped out for me was the book giving a “secret history” explanation for the death of Vince Foster, making the antagonist responsible. But even that tidbit can’t sustain this sluggish book.

Review: Pandora’s Temple

Pandora’s Temple

After being buried for more than a decade, Blaine McCracken returned in Pandora’s Temple.

This book shakes off the cobwebs of Dead Simple and returns to what made the early McCrackens so excellent. Ridiculous MacGuffins, even more ridiculous action set pieces, giant plot twists, and more. A Blaine McCracken book works best when it’s utterly crazy, and this certainly qualifies as such.

It’s a little rougher and more “overstuffed” than some of the early McCracken novels (not that I’m complaining about too few ridiculous set pieces, it just feels a little clunkier), but is still an incredibly fun spectacle that can definitely sit along side them.

A Thousand Words: Iron Eagle

Iron Eagle

Time for a nostalgia piece from my past. I watched Iron Eagle a lot on DVD when I was younger. It is an amazingly stupid and stupidly amazing action aviation movie that is incredibly 1980s.

So, a fighter pilot is shot down over “Libya” and his son, with the aid of a fellow pilot, “acquires” a pair of F-16s to rescue him, causing a massive number of explosions in the process. Because the actual US Air Force was not exactly keen on sponsoring a movie where kids can steal F-16s, the filming was in Israel, with Kfirs playing the role of “MiG-23s.”

The movie’s gotten a lot of understandable comparisons to Top Gun which I think are off-base, and not just because Iron Eagle was actually released before it. Top Gun is a very “Tom Clancy” movie, an idealized story that still has a fig leaf of grounding. Iron Eagle is a very “Mack Maloney” movie, something that just goes “Prepare film for ludicrous speed” and never looks back.

So yeah, there’s a lot of explosions, an F-16 that never runs out of ammunition, an F-16 that lands on a convenient runway in the film’s climax, a water treatment plant that stands in for an oil refinery, the politics you’d expect from an 80s action film, buildings exploding after getting hit with individual Vulcan rounds, a convenient in-universe excuse to play the (excellent) soundtrack at every opportunity, and so much more.

There’s a reason why I watched it so much, and it’s not because the acting was Oscar-worthy. This movie is classic ridiculous 80s fun.

Review: The Eighth Trumpet

The Eighth Trumpet

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Fresh off the first Blaine McCrackens, Jon Land introduced fellow super-agent Jared Kimberlain for a similar absolutely bonkers thriller. The Eighth Trumpet not only has offbeat fight scenes, it also has a plot centered around an, uh-Jerry Ahern-ian grasp of geography. By this point the formula has solidified, especially with the Hulking Strong Sidekick Protagonist who fights the dedicated Hulking Strong Antagonist hand to hand during the climax.

That being said, it manages to out-McCracken even some of Land’s other books with how ridiculous-and fun- some of the set pieces are. It’s not that much different “plot”-wise from many of Land’s other books (at least to someone like me who has actually read a ton of them), but it definitely has a huge spark of “WOAH!” in it, making it very worthwhile.

Snippet Reviews: October 2019

The Press Gang

Kenneth Bulmer (as “Adam Hardy”) wrote the Fox series of age-of-sail adventures in the 1970s. The Press Gang is marked as being the second in the series in the modern Kindle format, but it was the first actually printed (chronological vs. publication order?).

In any case, the tale of George Abercrombie Fox is not the best one to ride across the waves. Bulmer’s prose, which I recognized from the Dray Prescot books, isn’t the best, and the setup is this weird hybrid of cheap thriller and Herman Melville “this is what an age of sail ship is like”.

The Enigma Strain

Nick Thacker’s first book in the Harvey Bennett series of thrillers, The Enigma Strain is a solid thriller, if a 51% one. The book features the titular park ranger and a CDC scientist as they fight to stop a plot that involves an ancient, exotic disease and multiple nuclear bombs.

On one hand, it’s in the awkward uncanny valley that plagues a lot of cheap thrillers. It’s clearly too ridiculous to be realistic, but it’s not bombastic enough to be the gonzo silly thriller that it deserves to be. On the other, it’s still competent enough to be a passable, fun reading experience, and that’s what cheap thrillers are supposed to be.

Review: The Doomsday Spiral

The Doomsday Spiral

Some content creators have first works that are rough around the edges. Some start off strong and get weaker. Some, like Billy Joel in the psychedic-progressive-just-a-keyboardist-and-a-drummer Atilla, are vastly different from their subsequent and most famous pieces. So I decided to read Jon Land’s first novel, The Doomsday Spiral, and see where it fell.

The book roars out of the gate as Israeli super-vigilante “Alabaster” must stop a plot by the Palestinian “Red Prince” to neutralize the Americans so that they can deal with the Israelis later (the Red Prince must have gotten his lessons in target priorities from the Red Storm Rising Politburo). This could have been a middle-of-the-road “shoot the terrorist” novel. It wasn’t.

By Jon Land standards, fighting a giant man with a chainsaw (as happens in this book) is pretty tame. By normal thriller standards, especially the kind of thrillers I call “supermarket novels”, it’s delightfully out there.

I saw pretty much every plot device used in subsequent Land novels. The superpowered main character. The over-the-top ridiculousness of it all. The conspiracy-in-a-conspiracy. The inevitable action scene against a particularly tough level boss antagonist. An overall feeling of swinging back and forth between “awesomely stupid” and “stupidly awesome.” I’d say it’s formulaic, but when part of the formula is “ridiculous stuff happens”, it doesn’t feel so bad as long as Land can deliver. And here he does.

Review: Weapons

Weapons: A King And Slater Thriller

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When I got Weapons by Matt Rogers, I didn’t really get that it was a merging of two series’ with entries in their own right. So I was a little confused at first, not helped by a slow start. Thankfully, once the story picked up, I got a huge wave of cheap thriller action. This isn’t exactly a standout cheap thriller by any means, and it has flaws.

One of the biggest is the variable competence of the characters. This book acts like a more grounded thriller until the moment the heroes are backed into a corner, at which point they gain, among other things, incredible aiming ability. It also has a mundane cheap thriller plot with my usual quibbles.

But the actual action is still well-done in spite of these issues, and that’s what a cheap thriller needs to be. You could do a lot worse if you want a basic explosive thriller.

Review: Alpha-A Black Flagged Thriller

Alpha: A Black Flagged Thriller

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Stephen Konkoly’s “Black Flagged” series of spy thrillers starts with Alpha, telling the story of super-operative Daniel Petrovich as he’s pulled back into a web of plots.

Now, this book was moving uphill for me, simply because I’m not the biggest fan of the cloak and dagger genre of novel. I’ve come to the conclusion that it’s just a personal taste, and if I have to give a reason why, it’s because too many sit in this uncomfortable middle ground where they’re too spectacular to be a serious, grounded novel (which isn’t my favorite recreational book type itself), but not spectacular enough to just be an all-out crazy fun thriller.

That being said, this book is a very functional cheap thriller that hits all the right cheap thriller notes. Its plotting is a little rough and its characters a little flat, but its action scenes are very worthwhile. The whole is better than the sum of the parts, making this a good “51%” thriller.

Review: The Valhalla Testament

The Valhalla Testament

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I knew what I was getting into when I got the book. The Valhalla Testament is a Jon Land novel starring New York Giants running back (!) Jamie Skylar as he travels to Nicaragua to investigate and foil a very Jon Land-ian supervillain plot.

This book hits every Jon Land note. Trained attack crocodiles, double-crosses, double-double crosses, a plot that veers between “amazingly stupid” and “stupidly amazing”, “.60 Caliber machine guns”, and, in my personal favorite plot twist, an antimatter facility that not only gets blown up, but whose containment procedures as described were so terrible that it probably deserved to get blown up.

By its author’s ridiculous standards, it doesn’t quite reach the heights of some of the Blaine McCracken novels. But it’s still a good cheap thriller that very much has the spark Land at his best possesses.

 

Review: Dead Simple

Dead Simple

deadsimplecover

The ninth book in the Blaine McCracken series, Dead Simple marked a point where it took a very long hiatus afterward.

It’s easy to see why. This book devolves into “Captain Beefheart Playing Normal Music” in a way that no previous Blaine McCracken book did. McCracken is, in the early parts, treated as aging and vulnerable-a problem both in terms of thematic dissonance and how he’s back to his old self instantly when the climax happens. The moments of whimsy and craziness that make the series so amusing feel half-hearted at best. The storyline is closer to a mundane “shoot the terrorist” than any previous McCracken, the MacGuffin is the least interesting and most bland in the series to date, and its historical-treasure subplot felt awkward and out of place, like it was trying too hard to follow the exact path of a Clive Cussler novel.

If this was in isolation with a new hero named, I dunno, Bruce McDowell, I’d have considered it a decent, slightly eccentric, run-of-the-mill “51% thriller”. But in comparison to its gonzo predecessors, it can’t help but fall short. Leaving the series buried for over a decade before a fortunate revival might have been for the best if the alternative was to stagger on into mundanity, losing everything that made Blaine McCracken fun and distinctive to begin with.