Tag: British

A Thousand Words: The Assassination of Trotsky

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The Assassination of Trotsky

Directed by Joseph Losey and starring Richard Burton as the title character, The Assassination of Trotsky is often placed on many “worst movies ever” lists. It is a well deserved placement. For this is a terrible, terrible movie. And it’s deliberately terrible-it’s not due to circumstances, but due to creative choices.

First off is Richard Burton’s performance. His Trotsky looks like a cheap Colonel Sanders mascot and acts like that aging beatnik professor you had in college and loathed. You will learn absolutely nothing about the historical context from this film. In fact, the only way to make sense of the incoherent plotting is to assume that Losey thought the audience would already know everything historically relevant.

Second is the massive, massive padding. Since it doesn’t take ninety minutes to have an ax hitting someone in the head (SPOILER ALERT!), Losey fills the movie with filler. This includes a scene involving rabbits being raised, a long gondola ride where Stalin’s image appears in the water, and, worst of all, a long and gruesome bullfight scene. The only attempts at suspense involve dragging every scene out and playing minimalist music. This gets old after about, oh, two such scenes.

About the only sympathetic character is Romy Schneider’s “Gita”, who is as confused with the situation and disgusted with the bullfight as the audience is. Sadly, she cannot carry on her own, and is the subject of a padding scene as well.

This is a terrible, terrible mess that’s almost so bad it’s good. Almost.

Review: US Narratives of Nuclear Terrorism

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US Narratives of Nuclear Terrorism Since 9/11

Because of my current “itch” for material involving nuclear weapons, I knew I had to read Liverpool University professor David Seed’s US Narratives of Nuclear Terrorism Since 9/11. In spite of its title, this covers material written long before 2001. As I love highbrow analyses of lowbrow fiction, I dug deep into this book.

Doing more than just digging into stuff like The Sum of All Fears, Seed in fact wades through the Augean Stables of fiction that makes up what I’ve dubbed the “shoot the terrorist” subgenre. To have read so many books of that nature seems astounding even to me, who loves cheap thrillers. Some are books that I’ve read from big names like Tom Clancy and Mario Puzo (Fears and The Fourth K). Some are from series that I’ve heard of (like SEAL Team Seven). Others are extremely obscure and unknown to me prior to seeing Seed’s compilation.

This isn’t perfect. At times the book gets a little too stereotypically “academicese” in it writing, and there are the occasional typos here and there. And while it sounds like a clickbait video, I’d have loved to see someone with more technical knowledge critique the plausibility of many of these scenarios. Seed tries and often does a good job, but an actual nuclear expert could probably do better.

But it’s something very near and dear to my heart, and as a review of thriller fiction, I remain in awe of this smooth narrative. Where else could I hear of books like Thomas Fillinger’s Chameleon’s Shadow, where Seed mentions the following plot point in a deadpan fashion:

“Detroit is destroyed when a nuclear bomb detonates by accident, but this proves to be a sideshow from the main search for the leader of the conspirators, who are all depicted as stereotyped fanatics.“

It’s plots like that that make me love my reviews. And this brave struggle of a book has warmed my heart. I mean, even I probably couldn’t make it through that many “shoot the terrorist” novels without gaining an insatiable urge to lick the Chernobyl Elephant’s Foot. It’s not Seed’s fault, but so many plot elements repeat throughout his summaries: Warheads stolen by/sold to the antagonists and the dreaded “suitcase nukes” are two of the most common. Granted, this comes with the cheap thriller territory, and these kind of books succeed or fail more on execution than concept, but still.

There are definitely a lot more terrorist nuke books than conventional WW3 books, and this does a great job covering them and (however accidentally) showing the different subgenres of thrillers.

Review: Coup D’Etat

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Coup D’Etat

Chris Nuttall’s Coup D’Etat is a book I knew I had to get when I saw the premise. A princess of a Middle Eastern country wrangles western mercenaries to overthrow it in a modern Dogs of War (explicitly cited as an influence, and obvious enough even without the citation)? Sounds good enough. The possibility of a thriller that can be more than just a small group of commandos? You betcha!

The premise is thus very good. The problem is that the execution is not. First, the main character comes across as an uncomfortable Mary Sue, and his opinions along with a more important portrayal cross the line from “hardened realist” to “creep”. But the bigger problem is the setting.

Taking place in a petrostate is a good, and arguably great setting. Having a fictional one so you don’t need to step on real toes and can make it to your needs is another good literary tool this book uses. The problem is that, well…

Say you had a fictional US state in the Old South for your story, and it was portrayed as being composed entirely of corrupt redneck bosses, uneducated and bigoted rural poor, Klansmen, and oppressed African-American sharecroppers who are used entirely as a mentioned prop to show how bad things are without actually being elaborated on. Replace that with the contemporary Middle Eastern equivalents and you have “Kabat”, the oil kingdom the novel takes place in. Compounding the worst true elements of an environment for the sake of fiction isn’t necessarily bad, but here it is. It takes away the stakes by making it look like an irredeemable and worse, dull wasteland. Pretty much any character who isn’t a power broker, trigger puller, or supervillain is used as nothing but a pop-up attraction in the freak show obstacle course.

Granted, you could reasonably argue that I’m overthinking the backdrop for an action thriller. Except this isn’t a very good action thriller. Not just because the prose is only decent at best, but because so much is devoted to the setup and exploring this dubious setting. So this book fails at being a suspense thriller and it fails at being an action thriller. It aims very high and falls very, very short.

A Thousand Words: The Death of Stalin

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The Death of Stalin

For May Day, I figured I should do something Soviet. And what more “appropriate” than this movie? Armando Iannucci’s The Death of Stalin is a blisteringly dark satire which uses the events surrounding the titular event as the basis for twisted humor. It’s not exactly the most accurate historically, but it has many good actors and good scenes.

Steve Buscemi steals the show as eventual victor Khrushchev. He slides into the role with the perfect mix of earnestness, sleaze, and silliness. Likewise, even though his entire character is ahistorical (at this point IRL, Zhukov was kicked upstairs to command a district in the middle of nowhere) Jason Isaacs does a similarly excellent job as the head general. The casting isn’t perfect, though. Jeffrey Tambor’s one-note portrayal of spineless wimp Malenkov is grating and mostly not funny.

Still, this is a funny, entertaining and now relevant movie.

Review: Mikoyan MiG-23

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Famous Russian Aircraft: Mikoyan MiG-23 and MiG-27

Another Gordon/Komissarov book specializing in the study of just one platform, I knew I had to get the volume on one of my favorite ugly ducklings: the MiG-23. The Flogger did not enjoy a charmed life. With hindsight, it occupied an uncomfortable niche between the cheap MiG-21 and advanced later fighters. Its swing-wing design was a long-term limiter. The MiG-23MS export version, with no long-range missile ability, was the equivalent of using a Manning brother as a running quarterback.

This is a little better laid out than the MiG-29 book, but it still has iffy formatting and a tendency to shift into colloquialisms like lots of exclamation points! That being said, it delivers a lot of technical-and operational-info. It has the strike and fighter variants all covered, as well as exotic proposals like the IFR-capable carrier versions and my most beloved unsuccessful attempt to put new wine in old wineskins: The MiG-23-98 series.

It’s definitely written by and for aviation enthusiasts, but I had fun with this book. It’s a worthy tribute to an often (and not unreasonably) savaged aircraft.

Review: Russian Air Power

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Russian Air Power

The 2002 book Russian Air Power, by Gordon and Dawes, is something I was eager to get for the sake of seeing a past snapshot. I was not disappointed. Sure it’s dated (including a laughably inaccurate prediction that by 2010 the Russian Air Force would have streamlined down to three platforms, including the PAK-FA), but I expected it to be dated. A slightly worse criticism is how the doctrinal specifics of a high-intensity “air operation” are left a little vague for my liking.

But I have the Heavy OPFOR stuff for that, and the rest of the book is good. That I already knew much of it was no knock against it. And the part about the air force’s role in the Chechen Wars is excellent (and further reinforces my belief that, despite huge investment in the twenty years since, it may have actually regresssed from that in terms of overall capability in the early part of the Ukraine War.)

If you can get this book, do so. It’s a good historical reference, and Dawes keeps a lot of Gordon’s issues in check.

Review: The Churchill Memorandum

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The Churchill Memorandum

Sean Gabb’s The Churchill Memorandum is an alternate history spy thriller taking place in a world where World War II was averted due to Hitler’s death in 1939, the libertarian British Empire rules strong-and the US has devolved into a dictatorship complete with a “Republican Guard”. It’s one of the hardest books to review.

See, this may be the most extreme example of “alternate history as a setting” I’ve seen. By itself, the book is nothing but a 51% installment in a genre that, while not disliked, isn’t my first choice. But the setting, oh boy. The setting combines a big dose of L. Neil Smith-style libertarian utopianism with a British version of “libertarian” nostalgia for something you’d think wouldn’t be appropriate. In this case, it’s THE EMPIRE. You can be forgiven for wondering “isn’t an empire using the power of the state to a great degree to suppress others”.

Anyway, the setting goes farther than that. Historical British politician Michael Foot is portrayed as a supervillain who dissolves his victims in pits full of acid. His associate in the League of Evil is Harold Macmillan.

This book is kind of like a 1980s hair band that dresses extravagantly but plays the most mundane pop. The surface is crazy, but what’s behind it isn’t really. Ok, except for Michael Foot’s Evil Tub of Acid. That has to count for something, right?

Review: American Secret Projects: Airlifters

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American Secret Projects: Airlifters

Craig Kaston and George Cox’s two volume series on American airlifters is one of the main reasons for the recent fascination I’ve had with these cargo-bearing beasts. Like a lot of books in the series, both are excellent. However, one of the volumes outshines the other, though through no fault of the authors.

The first volume is well-written and illustrated, but it describes a time period where, for the most part, it’s just variations on big-bellied freighter aircraft. The second volume has a lot of those too, but also has weird shapes, VTOLS, napkin company projects that make Mukhamedov and Stavatti look like Boeing and Airbus, and so much more.

If you have to get one book, get the post-1961 volume. But both are well worthy of any aviation history enthusiast’s bookshelf. Fair warning-you may twist your brain into a pretzel trying to estimate just what some of these oddballs can and can’t transport. It’s what I’ve been doing a lot, and I have no regrets.

Review: Conclave

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Conclave

There’s this only half-joking thought I’ve often stated in regards to book writing that, if you’re stuck, just write the characters fighting a bunch of crazy bikers. This is a lesson I learned from The Survivalist. And I saw something like that in a place I didn’t expect.

Robert Harris’ Conclave is the tale of a papal succession by a well-known author who’s written the alternate history classic Fatherland. He does not have the cardinals face off against crazy bikers. But he does have them encounter what seems like everything else. The writing itself is often good, and certainly Harris’ skill is on display. The setup of the book is excellent, save for a contrivance where a secret cardinal manages to slip into the conclave in spite of historical precedent.

…And then the plot goes off the rails into more and more melodrama. One of the papabili is felled by baby mama drama. Then another, who steered the baby mama into the Vatican to crush his rival, has his machinations uncovered and his candidacy sputters. Then the main character finds the papal equivalent of Regina George’s Burn Book and metaphorical chaos happens. Then there’s a terror attack outside the chapel (really) and literal chaos happens.

With all of the rivals having shot themselves in the foot (and the book has gotten to the point where a papabili cardinal pulling a Plaxico Burress wouldn’t be surprising), Mr. Sneaky Cardinal then becomes pope. Then in the final twist, it turns out that the new pope was born a girl , mixing the Pope Joan legend with the likes of such highbrow epics as Fate Stay/Night and Sleepaway Camp. The book ends with Pope Joan Angela Saber I Innocent XIV taking the throne.

I mean no transphobia, and think that you could make a perfectly tasteful, good, and profound novel with that (and its discovery) as the premise. But as the biggest swerve in a book full of them, it still comes across as bizarre and tacky. Even if the concept is quite doable, the execution here falls flat.

In fact, as another review in the conservative Catholic World Report has noted, Harris’ sources in the acknowledgements are a little questionable. Imagine a military novel where the sources are well-intentioned and good-hearted but obviously slanted antiwar activists and axe-grinding Pentagon Reformers, and you can get an idea for how skewed this is (even if I agree with a lot of it on the merits as a nonreligious descendant of Lutherans).

This isn’t the equivalent of one of the worst popes ever. But it isn’t one of the best either.

Review: American Secret Projects: Bombers

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American Secret Projects: Bombers, Attack, and Anti-Submarine Aircraft

One of the American Secret Projects series, this book looks at air-to-surface planes from the end of World War II to Vietnam. Covering everything from mammoth strategic bombers to light propeller planes, it’s an ideal aviation niche history book. With lots of illustrations, the obscure become visible.

With this book you can see all the bizarre and erratic 1950s designs. You can see how the AX project that became the A-10 started off as just a rich man’s Skyraider. This is an excellent book for any aviation enthusiast.