Tag: Review

Review: Raptor Force

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Raptor Force

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Bill Yenne’s Raptor Force is a case of a book that dips into multiple action subgenres and seems determined to take the worst parts of each while being unable to grab the best. It’s the kind of commandos-vs-terrorists novel that might seem simply pedestrian if it didn’t have the premise it did.

See, the reason the task of hunting down bloodthirsty and effective terrorists is entrusted to this mega-top-secret band of off the grid commandos (based on the Flying Tigers in-universe) is because the US (along with most other countries) gave the UN veto power over its military power projection (!). This is the kind of thing that zombie sorceresses were made to do.

The heroes are all flat space-fillers, the villains are the most cliche terrorists straight out of Command and Conquer Generals, and the stock supporting characters are exactly who you’d expect them to be. This wouldn’t be a big problem if the fundamentals were good, but they’re not.

Raptor Force has the constant perspective and place-hopping of a technothriller but none of its technology or great power conflict. It has the focus of a small-unit book but none of the spectacle or “punch” that a good one has. The actual action scenes are decidedly underwhelming, the worst thing a cheap thriller can be.

This was not a good novel. Even the potentially over the top premise wasn’t run with, opting for the overly serious technothriller style instead of a shameless spectacle.

 

 

Review: Marine Force One

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Marine Force One

The book Marine Force One is an example of a “51% book” that is elevated by the context in which it stands.

The book tells the story of an elite commando force tasked with hunting SAMs in the Balkans, in a conflict that feels like a jumbled mix of historical recollections of Operation Allied Force (evasive SAMs! Stealth fighters lost!) and think-tank reports (Resurgent Red Russians!) all tossed together. The Cobra Force of our heroes has to hunt the SAMs while butting heads with a Spetsnaz force assisting their Slavic ally.

If there’s one thing distinctive besides being dated, it’s that the main character, Maj. David Saxon, is an ass. He’s a one-dimensional figure who gave up his material possessions and marriage to focus on being in the military (and doesn’t miss his ex or even his son at all), he punches someone for being annoying to him during a debriefing, and when (however briefly) off-duty, he just uses prostitutes as the sole “relationship”. Yet rather than have his seriously flawed character be taken advantage of, Saxon is otherwise treated as a Mary Sue who can do what the rest of the military can’t. Very few other characters, even the villains, enjoy such detail.

Other than that, everything is just good enough. The action is just good enough but not the best. The pacing is at least fast, if not the best. The exposition can be annoying but isn’t too annoying, and so on. So why did I feel better about this book than I ‘ought to’ have? Well , the first part is that sometimes a 51% book is what one needs.

The second part is that given the publication date of 2001, the beginning of a very, very dark decade for technothrillers, the “competition” is less serious. In a context full of overpriced, under-proofread self-published books, legacy series continuing on pure inertia, and the few remaining editor-proof super-authors, a nice light 51% book isn’t bad at all.

Review: Burmese Crossfire

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Burmese Crossfire

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One of the reasons why I sound more critical towards Peter Nealen than I actually am is because this particular book set the bar very high. From the moment I read it, I fell in love. The Brannigan’s Blackhearts series was meant to be a love letter to the classic action-adventure novels of the 1980s, and Burmese Crossfire delivers.

Colonel Brannigan, leader of a small mercenary band, gets a mission to go to the titular Southeast Asian country. Cue a “rumble in the jungle” (with apologies to Ali and Foreman) against many Burmese and North Koreans. This isn’t that much more than a classic simple action-adventure novel. But it takes that formula and with beautifully written, well-done action, hits a home run.

It’s in a well-researched, obscure part of the world that’s an ideal place for a book of its genre. One of my favorite small-unit action-adventure books of all time, this is well worth a read.

 

Review: The Blue Effect

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The Blue Effect

The final entry in Harvey Black’s Effect series is The Blue Effect. This book manages to be slightly better than its predecessors in some ways and a lot worse in another. There’s a sorta-kinda-semi-plot where the British face the Soviets in what could be the make-or-break battle near Hanover. But once again, it never really clicks into a whole that it could have been. If The Red Effect was just listing the ingredients before hurriedly pouring them into a bowl and The Black Effect was having them sit in the mixing bowl doing nothing, this at least turns them into batter-but not a finished dish.

The highlight of this book, besides more tanks exploding, is a very long scene in which a Vulcan bomber soars into action. A part of me was going “oh come on, this relic would probably be shot down, malfunction or just miss”, but another part of me, the part that likes unconventional units, was going “WOW NICE”. I mean, I’d love to read (or even write) a book of unconventional relic units flying into battle. This is not that book.

What really sours the The Blue Effect is not any of the action in the main book, but rather its anticlimax of an ending. Here was where going the Chieftains/Dr. Strangelove route and just nuking everything might very well have been better. Instead, it’s a have your cake and eat it too deal where after a few plotnukes and a few losses, the Warsaw Pact just gives up very abruptly. It’s a circumstance where either another full length tide-turning installment (with proper plotting) or trimming the entire three-book series into one could have been better. And there’s a lot of fat to trim.

Furthermore, all of the hindsight-driven greater “micro”- accuracy of the series (See the now-known durability of tanks with Kontakt-series reactive armor! See the proper tank mix in GSFG instead of just having everything be a T-72!) is squandered by this “macro”-level flop in the conclusion. Whatever issues there are with a clean NATO win in 1984, there are a lot more with it happening in this fashion. If the goal is realism, it’s implausible. If the goal is storytelling, it’s a contrivance and makes the victory seem unearned.

The result is something that could have risen higher than it did, both in this specific book and the overall series.

Review: Sacred Mountain

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Sacred Mountain

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The second book in the Black Eagle Force series, Sacred Mountain, takes a look at the over-the-top goofiness of the first and goes “all right, time to unleash the cheap thriller equivalent of the dubstep gun.”

The president is kidnapped by ninjas. Are the people of Black Eagle Force bad enough dudes to rescue her? That is the plot of the book, but the execution is something. See, the Mexican billionaire from the first book returns in his volcano-lair. And so does Osama bin Laden (see, it was his brother acting as a stand-in who died in Abbotabad). And so do a huge number of Russian mercenaries with their accompanying hardware. It’s like the opening scene of The Naked Gun, only stretched into a ridiculous, and ridiculously fun spectacle.

The book is still a little too long and clunky, it has a few typos including one of the character’s names being slightly inconsistent, and at times it got a little bit too tasteless. But it manages to be ridiculously goofy while taking the action just seriously enough, and I enjoyed it a lot for being “more Mack Maloney than Mack Maloney”.  It’s hard to go wrong where one of the protagonists is a dog in a suit of armor.

Review: Sixth Fleet

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Sixth Fleet

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I look at the Sixth Fleet series by David Meadows. Looks like it could be to naval warfare in general what Tin Soldiers was to tanks and Raven One was to aviation. Then I look at the publication date-2001. I start to have a bad feeling. Still, I shouldn’t stereotype 2000s technothrillers, so I go ahead anyway. Then I read the book in full, and yipes.

It’s very much a 1990s technothriller at heart. Regional enemy (Libya) with a super-gimmick? Check. Hand-wringing over defense cuts? Check. COMPUTER DIGITAL WARFARE? Check. Even leaving all of that aside, the prose is just very, very clunky and any scene with a character who isn’t American is rather “dubious”.

Worse still is how the first book is meant as the opening act in a long series. This means the pacing goes from “bad” to “REALLY REALLY BAD”. I’ve seen better pacing in later Survivalist books than here, and instead of Ahern’s flights of fancy, there’s a generic “mustache twirlers with super-gimmicks” story with the usual technothriller viewpoint jumping.

I wanted to like Sixth Fleet but just couldn’t. The fundamentals are too iffy, the subject isn’t that conceptually interesting, and its pacing is just horrifically slow and uneven. In many way, it feels like the stereotypical late-1990s/2000s technothriller writ large.

Review: The Black Effect

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The Black Effect

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Harvey Black’s The Black Effect is the kind of book I thought I’d be reviewing en masse on this blog, at least in terms of basic plot. Namely, in 198_ World War III breaks out. Cue a lot of tanks exploding. This is the second book in Black’s _____ Effect series, and the first I reviewed at Sea Lion Press before this blog even started.

The Black Effect is what I feared Team Yankee would be before being pleasantly surprised.  It’s a mostly-conventional 198X WW3 book that happens to be a picture-perfect case for why a bowl of ingredients does not equal a meal.

Some of the individual ingredients (battle scenes) in the novel are good, if repetitive. Others are weighed down by things like Black constantly listing the full designations of every piece of equipment in overwhelming detail (fog of war? target fixation? Limited viewpoints? What are those?). But as a whole the book just amounts to a disorganized parade of various pieces of military equipment and graphene-thin Steel Panthers Characters differing only in what they’re crewing and how much ‘camera time’ that they get before being blown up.

There is an almost total lack of anything cohesive or coherent beyond “WW3 stuff happens”. It gets to the point where the intelligence photographers who were the high point of the previous installment turn into just another pace-breaking liability. This at least doesn’t have The Red Effect’s using up nearly all of its space on historical events with names badly changed (ie, Stanislav Petrov became “Perov”) before rushing to stuff a bunch of battles into the last thirty pages.

The Black Effect isn’t all bad. It’s more evenhanded than a lot of WWIII stories, it being written as an alternate history with decades of hindsight helps with some (but not all) technical accuracy issues, and it works at providing simple action scenes. It’s just I’ve read better, even in this very specific subgenre.

Review: The $3 Million Turnover

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The $3 Million Turnover

I’ve been in a basketball mood recently, tracking the evolution of the sport from pre-shot clock clunking around to the 1961 superfast play to the grinding and “isoball” of the late 1990s and early 2000s to the current superfast play and three point launching. And of course the off-court drama.

So, having already heard of the “Pro” series of sports agent mysteries in the 1970s from Paperback Warrior, I read the initial hoops-centered installment, The $3 Million Turnover. Centered around a sports agent/private eye and a kidnapped star basketball prospect, I found it-iffy.

The prose is really, really dated and reads almost like an unintentional parody of old “hard boiled gumshoe” novels. There’s that and the basketball part of the story being mostly incidental to the main plot-the stuff like the then-present rivalry between the NBA and the ramshackle ABA is just window dressing and the player himself is really just a MacGuffin. I had a lot less fun with this book than I hoped I would, though to be fair I was stepping out of my comfort zone.

 

Review: Soldier of Gideon

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Soldier of Gideon

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The Casca series takes its path to the Arab-Israeli wars hinted at in the first book. Soldier of Gideon is a “modern” Casca, as opposed to the ancient Cascas. Taking place in the Six Day War, it’s typical of later Cascas-formulaic but good.

The action-packed book is in this kind of particular subgenre of war story that’s more gory and grisly than a John Wayne-style sanitized work, but still far more over the top and spectacular than a truly grounded novel. This isn’t a bad thing, but it’s interesting.

(Sidenote: For whatever reason, historical war fiction isn’t usually my cup of tea. I’ve read good examples, but it just doesn’t grab me the way action-adventure or even technothrillers do. That being said, I have read enough to tell which slot Soldier of Gideon fell into)

The Arab armies seem to use primarily western equipment (to the extent that only Jordan did in the historical war)  with a few IS-3 tanks thrown in as level bosses challenging encounters. Casca and friends go to every theater of the war. In the process, Sadler demonstrated both his greatest strength and greatest weakness as the series dragged on.

The greatest strength is managing to maintain dramatic tension and fluid excitement in a story that features A: A historically decisive blowout victory, and B: An immortal protagonist. This is no easy task, and it’s a sign of Sadler’s proficiency that Casca never devolves into the “unironic One Punch Man” that it could have.

However, the other side of the coin is the almost complete lack of interest in using the immortal protagonist who’s lived for thousands of years, met every important Eurasian historical figure in that time, and is linked personally to Christianity as anything but a placeholder to build period pieces around. While cheap thrillers like these aren’t philosophical works, the wasted potential is still very high.

That said, as cheap thrillers, the Casca books still work, and work well.

 

Review: Hellfire in Haiti

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Hellfire in Haiti

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If I had to pick a favorite entry in the seven-book Cody’s Army series, Hellfire In Haiti would easily win. Nothing else has the same mix of action, fun, and good villains. I never had as much entertainment out of a Cody’s Army book as I did here.

The entire Cody’s Army series feels to me like the action adventure novel version one of those knockoff fighting games that tried to piggyback on the Street Fighter and Mortal Kombat-not bad , but the incredibly obvious influence is still there, and it could only have existed in the middle of a very big pack. Still, none of the Cody’s Army books are unreadable, and this one in particular is a highlight of the entire genre.

Hellfire in Haiti sort of recycles its main plot from an earlier Cody’s Army book, Philippine Hardpunch. There, a former buddy of Marcos plots to reconquer the Philippines. Here, a former buddy of Duvalier plots to reconquer Haiti. The former book simply didn’t punch as hard as it could (I had to say it). This delivers a Mike Tyson haymaker.

Army member Rufe Murphy is kidnapped and subjected to a voodoo ritual, adding to the over-the-topness of this book. The villains in this book are excellent action-adventure fodder. There’s main villain Clairvius Bourreau  the ex-death squad leader and drug lord who enjoys dressing in showy outfits. And there’s his American ally Wes Taggart, a psychotic former Vietnam unit-mate of protagonist John Cody. That brought a smile to my face as Taggart reminded me of some of the sort of dubious “hard man who breaks the rules” “protagonists” of more recent war-fantasy novel.

And the final battle featuring the Army vs. Bourreau’s stronghold stands as the literary version of Arnold Schwarzenegger’s Commando. It’s easily one of the best climaxes I’ve read in an 80s action-adventure book. Cheap thrillers, especially ones of the time, don’t get much better than this.